Today, there are two notable pieces of news: The Bat Segundo Show has now crossed the 200 episode mark, with shocking developments involving Mr. Segundo, and Mark Sarvas‘s Harry, Revised hits bookstores. In an effort to tie both pieces of news together, one of the podcasts released today involves an interview with Sarvas himself. But if you’re thinking this is squeaky-clean literary stuff, an excerpt from the show should rectify this impression.
Correspondent: Anna is actually a palindrome. Is that intentional?
Sarvas: No. And the thing that really troubled me with Anna was that I was, I think, a year and a half into writing this book when John Banville’s novel, The Sea, came out. And in The Sea, the main character Max is mourning the death of his wife Anna. And I thought, “Oh my God. Everybody’s going to think that this is my Banville homage.” And this was really not. I was looking for a simple and an elegant name. And Anna floated into my mind. That was a more instinctive choice than anything else.
Correspondent: And yet there’s inarguably an elegant variation in this. I have to ask you about “a dancing St. Elmo’s fire of the groin.”
Sarvas: Okay, you…
Correspondent: This was really — all you had to say was that it was an erection.
Sarvas: Well, see, you mentioned that. You sent me a text message, and…
Correspondent: I asked five people about this and they said, “What the fuck?” (laughs)
Sarvas: But, and look. First of all, this is a book of nearly 300 pages. Not every single metaphor’s going to sail. There will be those that don’t.
Correspondent: Well, it’s definitely memorable. That’s for sure.
Sarvas: But to my mind, I was not describing an erection. I didn’t intend to. And the fact that you thought that that was what I meant argues that I didn’t do my job well. Because what I was really hoping to describe. And this is perhaps not the stuff of a normal Segundo podcast and I hope my wife isn’t listening to this….
Correspondent: (laughs)
Sarvas: …is that weird sort of tingling, pre-erotic moment that announces the onset of an erection. Where you’re beginning to feel that surge, that electricity in that way. But you haven’t actually flown the flag up the pole yet. And that’s what I meant. If I wanted to say erection or boner or some other, I would have said that.
Correspondent: But the fact that it’s ambiguous is very interesting. Because then it leaves — I mean, this could be discussed endlessly in book clubs across the country.
Sarvas: And I think it’s actually better that way.
Correspondent: It’s the phrase that definitely I can’t get out of my mind and makes me look at you in a sort of cockeyed way.

The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (
Might make a nice blurb for future printings of the book: ‘a real dancing St. Elmo’s fire of a read’
Ed, I experienced one of your ‘What the fuck’ moments recently reading Neil Smith’s Bang Crunch. The book is filled with quirky flights of metaphor… but this one, describing an orgasm as feeling ‘like a hundred glimmering goldfish expelled through the hole in an aquarium’ was, as you put it, most memorable. Perhaps there’s a contest here somewhere?
Yeah, the Terre Haute Book Club will have a field day with that metaphor…
Lorne Michaels loved it!
What I like about the phrase, intentional or not, is that it could apply to a woman. Of course the character’s a man, but that dancing fire, odd and ambiguous, describes a sensation we all know. Mr. Sarvas, I imagine your wife would feel proud.
Doesn’t it also confuse St Elmo with St Vitus (of dancing fame), mixing churchly metaphors?
Ahem (clears throat timidly): “Ball lightning”… ?