Family Disgrace
Written by Edward ChampionPosted on June 18, 2009
Filed Under Twitter

To paraphrase Eleanor Roosevelt, nobody can make you feel inauthentic without your consent. And the phony who uttered the onerous words recorded by the good and kind Don Linn should be whacked in the kneecaps. Just so the phony can decide whether or not there is indeed a metric that can be applied while excruciating pain shoots through legs I realize that these are strong words, but they are necessary ones, I think. If you cannot feel and you wish to advocate emotional capitulation, then you have no business being an expert or speaking before a crowd. For there is no strategy for living. Life simply doesn’t work that way. It isn’t a matter of taking in and emitting anthracite deposits of objective data. If you really need some hokey maxim to start with, life is what happens when you make other plans. But why settle for Werner Erhard-like comforts? If you can pretend that you know what you’re doing and you can improvise around the mad anarchy on your own terms and truly appreciate other people in the process, then you’ll probably get a lot farther than those foolishly pursuing “the metrics to assess whether you are successful.” Twitter can neither help you live better nor transform you into a better person. Like any helpful tool, it can enhance your life and direct you to the right people and permit you to exchange sound ideas and giddy concepts with people who are excited. But it is no replacement for real life. Nor is it landscape to be carved up by the avaricious marketing people. Ten conferences or twenty boot camps couldn’t possibly tell you how to stick with a vision and connect with others who have similar ambitions. Twitter, Facebook, Augmented Reality, and the flashiest technological tool shooting off the tip of your tongue can’t possibly help you understand why that person across from you is lighting up and smiling and getting excited. Your mission, should you choose to accept it, is to summon forth that same energy in yourself, find common ground, and make that passion happen, and make the passion of others happen. If Twitter can get you there, that’s fantastic. But what are you saying to the world when you tint your Twitter photo green instead of summoning up an original thought about Iran? How authentic — whether strategically authentic or genuinely authentic — are you when you’re so determined to run with the herd?
On a lighter (and possibly more disgraceful) note, here’s another interview I did with the good Austin Allen of The Abbeville Manual of Style. I do have a plan to save the publishing industry and it involves loganberry mint juleps.
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Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (
But it’s nice that they revealed themselves as the smarm-monsters that they are:
* Amy Martin of Digital Royalty talked about “planning spontaneous twitter events” for Shaquille O’Neal. Spontaneous planning? Isn’t that a wee contradictory?
* Ted Murphy of IZEA defending taking money for tweets as long as you’re “authentic.” Apparently, he’s never heard of Caesar’s wife, suspicion, above (wiki it up, man).
Notice how none of these people discuss actually selling a product, as if the quality of the product, the desirability or the product itself matters. Reminds me of the crop of MBAs in the 1980s who believed they could run any company, no matter what, because they have an EMMBEEAEE. And run them they did, right into the ground.
What Werner Erhard-like comforts are you referring to? Do you know anything at all about the man and what he stood for? IDid you just pick out a name that you heard bandied about? Werner Erhard was never an individual who told people what they wanted to hear nor was he one who pronounced obvious maxims that comforted people. Werner’s purpose in life was to challenge others to be great and he was never comfortable to be around. I know because I worked with him for seven years, the most challenging time of my life.
The transformation of one’s self and worldview through the sham of est? Who WOULDN’T want to hear such comforts, however abrasively delivered?
Erhard, 1978: “I have a lot of feeling for Ron Hubbard. His genius has not been sufficiently acknowledged.”
Indeed.
The transformation that was delivered by the est training was totally experiential. It was not about information spoken or heard. Unless you don’t like to hear the truth, there was only love and support, nothing abrasive. Doesn’t sound like you know much about it and are just spouting off from who knows what ideological stance.