Maslin: Pop Lit Ghetto ‘Ho

Janet Maslin is a good critic, but any doubts that she’s been ghettoized by the Times as the “pop lit gal” should be removed. In fact, considered with this unfortunate headline, part of me suspects an anti-Maslin conspiracy.

Students now spend an average of $828 per year on academic books. A new study reports that the average textbook costs over $100, and that the cost has risen from $650 in 1996-1997. In related news, sales of Top Ramen have risen along the same exponential curve.

And you thought the David Denby coverage was bad? When I think about who to ask about sex, Steven Bochco is probably the last guy in line.

The lower your testosterone, the greater your chance of developing Alzheimer’s. Scientific proof that Ronald Reagan and Charlton Heston were never men’s men.

Donald Trump has a new book out in April, How to Be Rich. Random House will be paying Trump close “a lot more than a million dollars” with sizable royalties. Guess the folks at Random House didn’t learn from the book, did they?

The Sunday Times claims that Pete Dexter is the most injury-prone writer in the world and then, because the writer of the article doesn’t believe his own thesis, he offers a long expose of Dexter’s physical condition. What next? A 2,000 word essay on Saul Bellow’s hair?

Pay no attention to the title. Vintage Didion is not a Slouching/White repackage, but represents Didion’s work in the Reagan era.

Norman Mailer turns 81 on Saturday and the Scotsman tries to examine why he isn’t considered “America’s greatest living writer.” Without, of course, asking anyone here why.

Is the Pittsburgh Post-Gazette appropriating Crooked Timber’s Books I Did Not Read This Year idea?

Sarah compares the TMFTML imbroglio with Moonlighting.

And cool enough that Yardley champions A.J. Liebling, a guy I’ve been meaning to read, but Teachout’s there too.

Naked Dentists Dog Markson & Marquez’s Potential Movies?

Nudity in Science Fiction Books (via Quiddity)

Only in John Updike’s universe could a person be prim about dental procedure:

?Let?s have lunch,? he begged. ?Or is your mouth too full of Novocain??

?He didn?t use Novocain today,? she primly told him. ?It was just the fitting of a crown, with temporary cement.?

Mark reviews The Curious Incident of the Dog in the Night-Time. And he also points out that David Markson has a new book coming out.

Perry Anderson tackles Living to Tell the Tale, comparing Garcia Marquez’s life against Mario Vargas Llosas.

David Edelstein and A.O. Scott square off over the Biskind book, comparing it against J. Hoberman’s The Dream Life.

Anne Tyler: Unwavering Instigator of Irritation

Michiko on Joe Ezterhas: “As for the rest of this ridiculously padded, absurdly self-indulgent book, the reader can only cry: T.M.I.! Too Much Information! And: Get an editor A.S.A.P.!” What the F.U.C.K. is up with the A.C.R.O.N.Y.M.S.?

A new book will explain the seven most important unsolved math problems. One of them involves working out the probability ratio for the Democrats in November.

How the hell did the Washington Times snag a review copy of the $3,000 Ali book? Did the reviewer have to fill out a loan application and submit a credit report?

The new issue of the resurrected Argosy is out. It’s the first issue since 1943, with work by Jeffrey Ford, Michael Moorcock, Ann Cummins and Benjamin Rosenbaum. Each issue will be packaged in two volumes: one the main magazine, the other a novella. The magazine is printed bimonthly and has an affordable subsciption rate. The Moorcock story is the return of metatemporal detective Sir Seaton Begg.

The Age weighs in on the legacy of long novels, but cites Tolkien and Patrick O’Brian instead of David Foster Wallace and Rising Up and Rising Down.

Bookslut has posted the standard response the Times is issuing.

Christopher Paolini: the next J.W. Rowling?

A.S. Byatt weighs in on the Grossman translation.

The Globe and Mail reports that Tyler “hasn’t a boring or irritating word in her vocabulary.” Of course. You can find the boredom and the irritation in the Caucasian malaise and the treacle.

And Radosh and Slate are looking into the reliability of that Times sex slave story.

Quickies

Primer: Winner of the Sundance Grand Jury Prize and the Alfred P. Sloan Prize. The film was made for $7,000, doesn’t appear to have a distribution deal yet, but somehow manages to involve time travel and ethics in its plot. The intricate story has also caused a lot of people to scratch their heads, which has resulted in several unclaimed ski caps left at theatres.

As if the Whitbread isn’t enough, Mark Haddon has walked away with another award — this time, from the South Bank Show. The British literary community is up in arms about this, trying to convince committees that “enough is enough.” An anonymous Important Literary Person has made calls, noting that, while The Curious Dog is a great book, Haddon has simply won too much praise and that there won’t be enough praise for the rest of the books.

Alexandra Ripley, author of Scarlett, has died. Several publishers, upon hearing the news, have been trying to determine which great Ripley book they can pilfer a sequel out of. Unfortunately, Ripley was no Margaret Mitchell. And no publisher wants to be reminded of how much they backed Ripley’s attempt to cash in, let alone the other stuff she wrote.

Prima facie that the New Yorker is overinfluenced by vapid McSweeney’s-like pop cultural riffs: “Boswell’s Life of Jackson”. (And Menudo is referenced in the first sentence. Oh no.)

James Fallows annotates the State of the Union address.

The Boston Globe interviews Tibor Fischer and Fischer comes across, no surprise, as a smug son of a bitch. Not only does he compare himself to Shakespeare, but he lauds cheapshots: “I’m with Amis, and so although in ‘Voyage’ I do have laughs at the expense of foreigners — so did Shakespeare — I also allow characters for whom English is not their first language to express dismay when someone British doesn’t know an arcane piece of English vocabulary: ‘It’s your language,’ they say.”

And to hell with the Golden Globes. How about a real award? Best Lead In A Rising Up and Rising Down Review: “For the past decade, it seemed Sacramento-based novelist William T. Vollmann was neck and neck in a war of prolificacy with Richard Powers, David Foster Wallace, and anyone else who would take him on. With ‘Rising Up and Rising Down,’ he has put the issue to rest.” And I truly feel sorry for John Freeman, who, like all reviewers, read all 3,500 pages from a CD-ROM.

Lizzie Grubman (not to be confused with this Lizzie) is returning to the social scene. This may be the first time in New York history that first-hand accounts of road rage are discussed over caviar.

At long last, a New York Times I want to see. (via Old Hag, courtesy of Pullquote)

Pynchon’s voice on The Simpsons. He sounds like an angrier Harvey Pekar. (via Chica)

Francis Ford Coppola quotes Wodehouse! (via At Large)

[1/24/06 UPDATE: Primer, as nearly all film geeks know by now, did manage to nab a DVD distribution deal, leading to enthusiasts working out the multiple timelines. As for the McSweeney’s influence upon the New Yorker (and other places), I should note that litblogs, as much as they claim to be anti-Eggers, are guilty practitioners (including this one).]

J-Franz Gets a Phone-In

A new tell-all book on the Kennedys is coming out. But this time, it’s from the inside. The book is authored by Christopher Kennedy Lawford, and will include an essay by Ted Kennedy entitled “Mary Jo and Me: A Politiican’s Guide to Avoiding Entanglement.”

Shelsey Sybrandts, a 9 year old Coloradan, has become the youngest author of valentine verse. Harvey Winstein has optioned the eight-line poem for a future Miramax film, noting, “The little fucker’s a motherfucking genius. But if she tries to cross me, she better watch out. The fat man always wins.”

Ahmed Bouzfour won’t be taking home Morocco’s Literary Creation Prize. Bouzfour rejected the award, protesting Morocco’s low level of literacy. He also protested Morocco’s continuing promotion of the casbah dance.

In The Guardian, Richard Holmes examines Percy Shelley’s premature drowning.

Filmjerk uncovers an early draft of the Corrections film adaptation. David Hare wrote the script but, despite his solid credentials, to summarize their findings, the screenplay sucks. Big time.