Year / 2012

by Edward Champion

The Bat Segundo Show: Agnieszka Holland

In this 25 minute radio interview, we talk with acclaimed Polish filmmaker Agnieszka Holland about In Darkness, the Downfall meme, how to find the right sewers, training actors to speak in many languages, and being faithful to Henry James.

Agnieszka Holland appeared on The Bat Segundo Show #433. She is most recently the director of In Darkness, which has been nominated for the Best Foreign Language Film Academy Award and opens in limited release on Febraury 10, 2012.

Listen: Play in new window | Download

Condition of Mr. Segundo: Fumbling in the dark for the Zippo.

Guest: Agnieszka Holland

Subjects Discussed: Creating cinematic environments, how to design a sewer system for a Holocaust movie, the sewer as metaphor, the difficulty of locating the right sewer, Polish sewers, technical limitations on location, managing 60 to 70 people in a tight location, the differences between canalization sewers and sanitation sewers, finding sewer experts, Montreal, Phantasm, Andrzej Wajda’s Kanal, The Third Man, cinematographic efforts to avoid the beauty of the sewers, darkness as a false beauty, avoiding candles, directing actors in real darkness, making a movie which containing numerous languages, linguistic training and actors, ovepreparing actors, the Balak Polish dialect, working with Ed Harris, importing Method acting ideas into the Polish acting community, Jennifer Jason Leigh, finding the right actors, Polish theatrical training, Holocaust fatigue, developing behavioral quirks to overcome tropes, the Downfall meme, Olivier Olivier, Holland’s experience with identity emerging as a theme in her films, Zelig, being identified as the “literary culture” director during the 1990s, Total Eclipse, The Secret Garden as Holland’s favorite book as a kid, being faithful to Henry James, Washington Square vs. The Heiress, and efforts to determine why David Simon paired Holland up with Richard Price-penned scripts on The Wire.

EXCERPT FROM SHOW:

Correspondent: This actually came up in a conversation I had a few weeks ago with the Australian novelist Elliot Perlman. We were talking about the notion of Holocaust fatigue and how some books or films that deal with the Holocaust have to now face this dilemma. I was looking at some of the reviews and some of the write-ups of this film and I noticed, for example, that A.O. Scott suggested that “the Holocaust movie has become a genre in its own right.” And in Tablet, you have Daphne Merkin suggesting that “the audience for Holocaust films is even smaller than the audience for Ukranian imports.” But on the other hand, I think one of the things I appreciated about this film, and also Europa Europa, is that you have characters who are committing adultery, who are shooting up, who are masturbating, and as a result you have behavioral quirks that almost defy these labels. So what do you do, when you’re making a Holocaust narrative of any kind, to get away from these tropes? Does it really come down to these behavioral quirks or what?

Holland: Well, you know, I think that the Holocaust is such an important event in the human history, the border point of the humanity, that I don’t think it will disappear as a subject. Even for the next generation. I think what happens really — it was too many of pretty superficial and not very good treatments of this period and of this subject, which change it to some kind of the moralistic sentimental kitsch and I think really — yeah, this kind of treatment, people have enough. It means, in the first, it was educationally important and work up some kind of knowledge and curiosity. But after, it became some kind of cliche. For me, it’s important that it’s not like, that you cannot label this as the Holocaust. It is not really Holocaust film or it’s not the film of the Polish/Jewish relationship. It’s a film about the human condition and the particular circumstances. And what you know of the human nature is able to give, to deliver the best and the worst. And that is the universal question which you can also translate to another sensitivity and another times. I think personally that the only thing which is important: if it’s artistically successful and if it’s honest. Humanly speaking and psychologically speaking and historically speaking. If it’s dishonest or bad, it’s bad. If it’s really powerful and goes straight to the heart of the people, you know, yes. I think that we, of course, had the ambition to shot into the heart of the people and the brain comes later, you know? And if after it wakes up the reflection, what it was, how it was possible, when was my nation in that, how I will act in those circumstances, that is a bonus.

Correspondent: Yeah. Well, I agree with you. But on the other hand, you as a filmmaker are competing with, for example, the Downfall meme on the Internet. Where they take that scene and put different subtitles with Hitler. “Hitler has learned this.” As a result, any serious consideration of the Holocaust now has to compete with these caricatures. Although, oddly enough, I guess you were sort of ahead of the trend with the Hitler who’s in Europa Europa.

Holland: Right.

Correspondent: But how do you deal with this? Does it really come down to creating subcultures? Behavioral quirks along these lines that defy all tropes?

Holland: Well, you know, it’s where we are today. And anyway, you know, the Internet. And you think of the artifacts and the pieces of art on the Internet and the cut-and-glue, you know, kind. It exists. You cannot do anything about it. And of course, you can answer the question, “How long the regular dramatic narrative will survive?” And if it will change to something different. Some kind of interactive games or something like that. I don’t know. By now, it still exists and you still can touch a pretty amazing amount of people with that.

Correspondent: I was always curious. I’ve been wanting to ask you this. Why are you so interested in frauds and swindlers and those who have secret identities or who are pretending to be somebody else? I mean, even in this film, you’ve got con men. There’s the pretense with the cash. Olivier Olivier — is the boy real or not? Things like that. Is this, I suppose, the result of growing up in pre-Solidarity Poland? This natural curiosity? Or is it just good for narrative?

Holland: Probably. Probably. In Polish Jewish family also, where, you know, I had to change those hearts depending upon who I am talking to. So in some way, part is my own experience. And being woman in a man’s world. And in general, I think that the people are wearing the masks all the time. So that is like the basic human problem. Who we are really in the depth of our identity and what we pretend if that real identity really exists or is just the function of the circumstances. If it’s something like the true, true, you know, true myself — someplace — and the rest is just some kind of the appearances, the true myself doesn’t exist. Everything is appearances. The question is asked in Europa Europa in a very vivid way. Because the guy had been like the Zelig — changing identities, depending.

Correspondent: And very flute-based as well.

Holland: Right. And in Europa Europa, it was paradoxical. It was that his identity was his circumcised penis. If he wasn’t circumcised, probably he will become someone else totally. And that he had to remember.

Correspondent: No greater physicality than that. (laughs)

The Bat Segundo Show #433: Agnieszka Holland (Download MP3)

This text will be replaced

by Edward Champion

The Bat Segundo Show: Stephen Fry

In this jam-packed one hour radio interview, Stephen Fry discusses Shakespeare, education, Ayn Rand, Wodehouse, eudaimonism, Secessionist Vienna coffeehouses, Apple, why he prefers Simon Raven to Anthony Powell, his efforts to dance, and at least 3,000 other interesting topics.

Stephen Fry appeared on The Bat Segundo Show #432. He is most recently the author of The Fry Chronicles.

Listen: Play in new window | Download

Condition of Mr. Segundo: Basking in a pleasant tsunami of erudition.

Author: Stephen Fry

Subjects Discussed: Journalists who attack morally and spiritually, capitulating an iPhone, the number of gadgets that Fry carries on him, physical books vs. ebooks, high school physics lessons and vacillating ideas about the atom, books and mass, Anthony Powell’s Books Do Furnish a Room, technological developments and misunderstanding about replacement, ways in which technologies complement each other, the plight of newspapers, Page One, whether The New York Times is a trusted platform, accepting the fact that Gaddafi is dead, embedded journalists, Kickstarter campaigns and journalism, working for free in the post-Internet age, Fry’s presence on Twitter, Twitter vs. newspapers, not giving print interviews, the achievements of journalists, terrorists who rely on newspapers, the difficulties of not reporting serious changes to the Manhattan skyline, “cheating” on essays in school by writing them in advance, Fry’s ability to recall books by line number and specific edition, Shakespeare, hypothetical exam answers to Macbeth, the Wooly Willy, the pointlessness of exams, Fry’s love for technology, what education can learn from the ancient Greeks, the numerous intellectual trajectories which spring from coffee, Diderot, Secessionist Viennese coffeeshops, Gustav Klimt, the value of giving someone a single word to jump off from, Oscar Wilde’s “De Profundis,” Lord Alfred Douglas, the Oxford manner, education as “the ability to play gracefully with ideas,” intelligence rooted around connection, the No Child Left Behind Act, Diane Ravitch’s The Death and Life of the Great American School System, the etymology of “draconian,” vocational training, fruit trees, people who believe the Alps to be dull, those who blame teachers, having a busy schedule, Fry’s schedule vs. a politician’s schedule, not knowing things and greed, Fry’s shaky terpsichorean skills, humans and language, Steven Pinker, Guy Deutscher, how tenses imply futurity, animals and sex, the Phoenicians and writing, cuneiform and the alphabet, hip-hop, Fry’s rapping talent, forgetting to delight in the beauty of language, Wodehousian language rhythms and music, connections between Wodehouse, Cicero, and W.S. Gilbert, film adaptations of The Importance of Being Earnest, Jewish and gay identity, the linguistic roots of Shoah, 19th century anti-Semitism, meeting Anita Lasker-Wallfisch, playing Schumann’s Träumerei on the cello for Josef Mengele, when human beings are treated like machines, Hannah Arendt, Ring Lardner’s golden rule for screenwriting, political correctness, restrictions on the depictions of smoking in BBC documentaries and drama, Spooks, bizarre moral standards on British television, being exploited by Stephen Sondheim for a scavenger hunt, having a fax machine in the early days, Fry’s efforts to read Atlas Shrugged, the 1949 film adaptation of The Fountainhead, writing the book for Me and My Girl, the fine aural distinctions between a fax machine and a 56k modem, the 21st century audience for Ayn Rand, maniacal ideologies that don’t include joy or hope, the RAND Corporation, the Tea Party, reasonable addictions vs. extreme addictions, empathy, false categories when contemplating what it is to be human, Artistole’s “man is a political animal,” Kant’s symbolic logic, the behavioral thrust of David Hume, the readability of philosophers, TE Hulme’s influence on Pound and the modernists, moralists, Hulme’s “concrete flux of interpenetrating intensities,” humans being verbs rather than nouns, doctors and diagnosis-based language, referring to people by their condition, kindness and cheerfulness as essential virtues, eudaimonism, Mad cartoons, the “pay it forward” principle, Fry’s aborted career as a book reviewer, whether criticism is necessary, thick skins vs. thin skins, not wanting to hurt people’s feelings, Alec Guinness’s rude remarks to other actors, Paul Eddington, The Browning Version, Fry’s desire to play Crocker-Harris, pathetic efforts to be polite, Fry’s futile efforts to hawk his own book, teaching Aeschylus to inspire, cruelty, “Never presume to understand another man’s marriage,” ethics and absolute evil, Schindler’s Ark, the French Resistance bombing restaurants, Fry’s Apple zeal in relation to Foxconn abuses, suicides at Foxconn, Steve Jobs vs. Henry Ford, Brave New World, Godwin’s law, Apple’s business in China, overseas industrialization, Alms for Oblivion, and why Fry believes Simon Raven is better than Anthony Powell.

EXCERPT FROM SHOW:

Correspondent: Tying these multifarious observations with what is in your book, I actually wanted to ask you about this intriguing period when you were at Cambridge. You describe how you were “cheating” on essays because you wrote all of the essays in advance in your head — to the point where you were able to cite chapter and verse.

Fry: Yes.

Correspondent: Specific lines down to the line number of Shakespeare. Specific critical reference works down to the publisher, the edition.

Fry: The review course.

Correspondent: Whether it was in trade or whether it was in hardcover. Rather extraordinary. And that you would actually tilt these essays in relation to the question that was asked of you.

Fry: That’s the point. Exactly. The point is: if you have an essay on Othello, if you have an essay on Anthony and Cleopatra — we’ll stick with Shakespeare just for the sake of a closed canon, so we can think about it — if you have an essay on Macbeth, you have a point of view. I know I can deliver 3,000 words very quickly on Macbeth if I know I can.

Correspondent: You have 45 minutes right now, man!

Fry: And the question is “The essence of Macbeth is the difference between the microcosm of Macbeth’s mind and the macrocosm of the real world,” say. Now that may not suit my thesis at all for Macbeth, which is actually to do with the way the poetry disintegrates as the play progresses. But I can make it exactly answer that question. You just have to polarize. You know, it’s like getting a magnet. Did you ever have it in — you probably were American. So I don’t know why I’m asking if you had them. Those little bald men with iron filings and a magnet and you used to make beards out of them.

Correspondent: That was, I think, before my time.

Fry: It probably was before your time. But that’s what you’re doing. You’re taking a magnet and you’re polarizing what you know. Now it’s kind of cheating. It’s not cheating really. Because I am passionate about Shakespeare. I love Shakespeare. But I’m very, very lazy when it comes to exams. And I also am aware that an examination is nothing other than the ability to pass an exam. And what use is that? You might as well say, “In order to qualify from Harvard University, you have to win a squash match. Or you have to do the best Lady Bracknell of your year. Then you’ll get your top degree.” But why is the ability to reproduce prepared pappy ideas about intellectual concepts on paper — why is that a good reason to give someone a job in a law firm, in Wall Street, or in a publishing company for that matter? And part of my love of technology, personally what I would love is, of course, to go all the way back to the days of ancient Greece where you had Aristotle and you had Plato and you had the Lyceum and you had the Academy. So you would actually have a master. And to me, this is how an ideal examination would go. It doesn’t matter what subject the person is reading, as we say in England, or studying, as you would say here. You would just say, “Coffee.” Now someone who’s reading history might just instantly start talking about the coffee shops and how they were banned by Charles II, how they then came back again under Queen Anne, and how they caused a movement with the coffee shops in Paris with Diderot and the Republic of Letters and Voltaire and the Enlightenment. Or they could talk about the Secessionist Viennese coffee shops of Mahler and Klimt and so on. And Stefan Zweig and the whole generation of intellectuals. Rilke and Kraus and so on. Or you could talk about coffee as: Is it an emulsion? Is it a solution? How is coffee grown? What is it as a cash crop? What is is politically? Ethically? That there are some countries who are not allowed to grow food that they can eat. They can only grow food that they can sell. Currency rates. It’s a geopolitical issue. You can talk about the history — here we are in a publisher’s office — about the coffee table book. You could talk about it as a medical student. You could talk about it as a stimulant. You could talk about caffeine.

Correspondent: Worker exploitation. Fair trade.

Fry: Yeah. Basically, what you want, if you’re examining someone, is just to give them a single word and watch them run with it. One of my absolutely favorite quotations — and I’ll try and get it right — is from “De Profundis,” the letter that Oscar Wilde wrote in prison to his lover, Lord Alfred Douglas. Bosie, as he nicknamed him. The man who basically destroyed his life. The boy who destroyed his life. And at one point, he’s talking about Oxford, and he’s saying, “The fact that you didn’t get a first-class degree is a disgrace. Many first-class minds never achieve first-class degrees. The fact that you didn’t get any degree at all is no disgrace. Many first-class minds never finish their course and get their degrees. But what to me, Bosie, is unforgivable is that you never achieved what I believe used to be called” — he put in inverted commas — “the Oxford manner.” And he then says, “Which I take to mean the ability to play gracefully with ideas.” Isn’t that the most beautiful definition of education you’ve ever heard? The ability to play gracefully with ideas! So whether the idea be coffee, whether it be paper, whether it be homosexuality, whether it be floorboards, it doesn’t matter. Because intelligence is about connection.

Correspondent: Yes!

Fry: So an exam question that just says, “Discuss Shakespeare’s use of imagery in Measure for Measure.” Well, gah! Come on.

Correspondent: But it’s actually much worse here in America. I’m sure you’re familiar with the No Child Left Behind Act, which is imposing these draconian standards and is absolutely convinced that all schools can offer 100% competence adhering to these standards. As a result — and there’s a great book by Diane Ravitch called The Death and Life of the Great American School System.

Fry: Oh yes. I’ve heard about it.

Correspondent: Which outlines exactly what’s been going on. Which means that if the school doesn’t meet these draconian standards, it gets sanctioned. It can fire teachers and administrators who are considered to be failures.

Fry: The pedant in me would say that Draco was a leader of the Greek Republic at a time when every single crime was punishable by death. Which is what “draconian” really means. And I’m sure it isn’t draconian in that sense. (laughs)

Correspondent: But when the Oxford manner is in opposition like this…

Fry: I know what you mean.

Correspondent: …it’s difficult.

Fry: And even more in opposition to that is the other group of people, which tend to be the right-wing industrial nexus. Whatever you might call them. Those who have influence over politics who say that education actually is irrelevant. What matters is vocational training. And so they want people with MBAs. They want people with apprenticeships. They want people who don’t have a wide, broad education and the ability to play with ideas, but who can do very specific things. Like training. It’s training. and think of that in terms of a tree. You know how you used to train a fruit tree against a wall. You straightened out its branches. [begins spreading arms] You stapled them to the wall. And that’s it. And it bears fruit very efficiently. Now we’re human beings. We’re not fruit trees. And we’re certainly not there to have ourselves straightened out to produce fruit for the state. We’re here to question, to wonder, to oppose.

Correspondent: But you are extending your arms very impressively, resembling a branch.

Fry: Thank you very much.

Correspondent: So I think that if you wanted to be a fruit tree, you could. You have a good line in that.

Fry: (laughs) I’ve certainly been a good fruit. Whether or not I’m a tree — well, of course, by their fruits, shall ye know them.

Correspondent: (laughs)

Fry: But the education point is a really interesting one. And I don’t know what the answer to it is. I think, oddly enough, if I am educated, if I have an education, it’s obviously one I’ve given myself. Because that’s what, by definition, what all educations are. You’re drawn out. Nothing’s put in. You’re not a bucket that is filled by a good teacher. And one of the saddest things is when people say, “Ah, well, Shakespeare was ruined for me at school. Because I had a terrible Shakespeare teacher.” I would say back to them, “Yeah. It’s the Alps for me. I had this awful geography teacher. I just find the Alps so dull. Because I had this awful geography teacher.” I mean, it’s ridiculous. I think it’s either beautiful or it isn’t. You can’t blame a teacher for not being able to communicate its beauty. I can look at the Alps and see that they’re beautiful. And if you can’t look at Shakespeare and see that it’s beautiful, don’t blame a teacher. Blame yourself for not looking hard enough. And I know people don’t want to hear that. But that’s the answer.

Correspondent: And you get into that in the book. And I actually wanted to discuss this further. I mean, I’m in agreement that, okay, we are in a world of riches. We have more information available to us than at any point in human history. But at the same time, learning about apple trees, Shakespeare, or what not, this requires time. And if you are someone who is working two jobs, who is raising a kid, how do you factor that into your dismissal of…

Fry: I like that. Because I’m a gay actor who doesn’t do much…

Correspondent: (laughs) No, no, no. It’s not that at all.

Fry: No. I know you weren’t. But it is funny. I have to say — and I don’t mean this in a boastful way, but I have yet to share diaries with someone who is busier than I am. Including politicians. I’ve had meetings recently. I’m trying to get…

Correspondent: (laughs) Including politicians? Like who?

Fry: Well, they always say that every single hour of every day is taken up by…

Correspondent: Even the bathroom breaks and all that.

Fry: Yeah. Etcetera. And, of course, they are to some extent. But they’re not busier than me. Because that’s actually all stuff that’s done. And then when it’s done, it’s done. If you’re a writer and you have other things, it’s never finished. And I am a very, very busy person. But you may notice I’m quite tubby. It’s because I’m greedy. And if people say they don’t know anything, it’s only because they’re not greedy. They’re not greedy for knowledge. Sometimes an image I give is — imagine that the Mayor of Washington was told when he was a child, “Go to London. Because the streets are paved with gold.” If he knew that in every city, the sidewalks, as you call them here — the pavements were piled high with gold coins and it made a noise. It made a kind of clashing noise as you shuffled your way through it. And it was terrible. And you bumped into a beggar standing with his hat out, saying, “Please. Please. Give me some money. I’m poor. I can’t eat.” You’d look at him and go, “What? Look around you! Just bend down and pick it up!” And that’s what I feel when people say, “Oh, it’s all right for you. You went to Cambridge and were taught things. Oh, why can’t I? I don’t know about this stuff.” I just want to say, “Bend down and pick it up.” It’s never been more available. All it takes is greed. Curiosity.

Correspondent: You are in a country where most Americans don’t have a passport. You are in a country where they actually don’t know these options. I’ll give you a perfect existential example of my own. So the New York Public Library — if you go in that marvelous reading room, it’s capacious. Tables. Everything. It’s like, “Of course! I’m going to study. Because this is an environment totally made to not slack off in any way.” Right? But if you try to find a seat at a coffeehouse now, every single table is completely filled up with people with their laptops. And there’s often people who sit down and they have this board meeting vernacular. And you can’t get anything done. I mean, it’s to the point where it’s almost a Trail of Tears-like situation for me and my friends.

Fry: (laughs)

Correspondent: We have to go to the next coffeehouse before they discover it! But you can pretty much almost always get a seat at the New York Public Library. And the question is: What do we do to restore the balance? To get people understanding that, yes, the streets are paved with informational gold if you go and reach down and pick it up. What do you think?

Fry: To me, this is simply prejudice. It’s prejudice that comes from the gifts that nature never gave me. And they were coordination and music. Although I love music and I’m passionate about music and I listen to music every day and I collect music. I have musical heroes that are distinct and different. You may know that I made a film about Richard Wagner, which is very important to me. Partly because as a Jewish person, Wagner is always going to be traumatic if you love him. Because he was such a bestial anti-Semite. Of course, that was not his fault. Because he died fifty years before — literally fifty years before Hitler became Vice-Chancellor of Germany, who of course adored Wagner too. So I do love music. But I can’t do it. I can’t perform it. I can’t sing. I can play the odd note on the piano.

Correspondent: But can you dance?

Fry: Absolutely cannot dance! I can’t even begin to put myself in a position.

Correspondent: Have you tried to take ballroom dance lessons?

Fry: I would hate it! I would loathe it!

Correspondent: Come on, Stephen! Pick it up! The dance is right there! (laughs)

Fry: If you read my book, you would know my physical self-consciousness is extreme.

Correspondent: Yeah.

Fry: But bad as this sounds, and this is no complaint, the fact that I was so incompetent, so uncoordinated physically, so ungifted musically, meant that all I had to give myself any pride was language. It’s all I had. And the odd thing is that’s all any of us have. It is the miracle of the human species.

The Bat Segundo Show #432: Stephen Fry (Download MP3)

This text will be replaced

by Edward Champion

The Bat Segundo Show: Deborah Scroggins

In this 35 minute radio interview, journalist Deborah Scroggins discusses her book Wanted Women, ongoing perceptions about Islam, Aafia Siddiqui and American/Pakistani relations, the Jaipur Literature Festival, and why so many intellectual figures believe in Ayaan Hirsi Ali.

Deborah Scroggins appeared on The Bat Segundo Show #431. She is most recently the author of Wanted Women: Faith, Lies & The War on Terror: The Lives of Ayaan Hirsi Ali and Aafia Siddiqui. My response to Dwight Garner’s New York Times review, which contains more links and information, is also helpful background reading for this interview.

Listen: Play in new window | Download

Condition of Mr. Segundo: Oscillating between two polar points.

Author: Deborah Scroggins

Subjects Discussed: Salman Rushdie and the Jaipur Literature Festival debacle, India’s political sensitivity, Islamic pluralism, Theo van Gogh’s assassination, why so many intellectual figures supported Ayaan Hirsi Ali (even after revelations of falsehood), Affia Siddiqui’s fundamentalism while a student at MIT and Brandeis, Hirsi Ali’s desire to abolish Article 23 of the Dutch Constitution, Muslim schools in the Netherlands, Hirsi Ali’s belief that all Islam is dangerous, Siddiqui’s close ties to Khalid Sheikh Mohammed, Siddiqui’s 86 year prison sentence and murky details in the early stages of her capture, the Justice Department not trying Siddiqui on terrorism, Ali Abdul Aziz Ali, how Siddiqui’s treatment has impacted U.S.-Pakistani relations, the Hague spending $3 million a year to protect Hirsi Ali in the United States, the Foundation for the Freedom of Expression, the degree of danger against Hirsi Ali in the U.S., Siddiqui’s lawyers backing off from initial charges that Siddiqui was being tortured in Bagram, Abu Lababa’s claims that Pakistan was going to come under attack from the United States, why Pakistan only selectively observed certain facts relating to Aafia Siddiqui, unchecked claims of Siddiqui has cancer and got pregnant in prison, advantages in not talking with Siddiqui and Hirsi Ali for a dual biography, Scroggins’s efforts to stay objective, Daniel Pearl’s murder, Bernard Henri-Lévy’s claims that there are ties between the ISI and the Deobandi jihadists, speaking with Khalid Khawaja, efforts to steer Scroggins away from Siddiqui, trying to find the truth given so many inconsistent stories and motivations, Yvonne Ridley‘s press conference offering further claims concerning Siddiqui, why Scroggins unthinkingly forwarded a Pakistani journalist’s email to Siddiqui’s lawyers, how lack of journalistic care puts people in danger, Hirsi Ali’s positive qualities, finding the balance between defending extreme free speech and knowing the implications, considerations of nonviolent Islam, connections between Siddiqui and Hirsi Ali, and how extremism feeds upon itself.

EXCERPT FROM SHOW:

Correspondent: I’d like to calibrate this conversation with recent events in India. There was, of course, the whole Salman Rushdie affair at the Jaipur Literature Festival. He gets a report indicating that there are going to be hit men from the Mumbai underworld who are going to assassinate him. So he decides not to go. Then he pulls out. And then Hari Kunzru with various other authors actually read from The Satanic Verses, which is banned in India. Then they have to leave. And then it’s discovered that Rushdie has, in fact, been relying on fabricated police reports, which makes everything extremely interesting. And then, most recently this morning, the latest escapade reaches almost a reductio ad absurdum level in the sense that Jay Leno tells a joke and this is considered a grave offense and they want the government to step in. So all this is happening — as I’m thinking and considering your book, which deals with two key polar figures — Aafia Siddiqui and Ayaan Hirsi Ali — and I’m curious about this. It seems to me that we have an environment in which extremes beget extremes beget extremes. And I’m wondering how understanding figures like Hirsi Ali and Siddiqui leads us to contemplating more Islamic pluralism. Moderation. Or is such a thing possible? Maybe we can start off from there.

Scroggins: Well, absolutely. That could be the whole point of my book. That extremes beget extremes. And there’s no doubt that both of these women — Aayan Hirsi Ali and Aafia Siddiqui — owe their fame to their enemies. Because if Ayaan Hirsi Ali had never been threatened, she would never have been asked to stand for Parliament in the Netherlands. And then if her film collaborator, Theo van Gogh, hadn’t been murdered on the streets of Amsterdam, she wouldn’t have become internationally famous. Aafai Siddiqui, on the other hand, became famous because she was hunted by the CIA and because the CIA and the Pakistani government were actually kidnapping people and holding them in secret prisons, it came to be believed that they were lying when they said that they didn’t know where Aafia Siddiqui was. And no one would believe them, even though in this case they probably were telling the truth.

Correspondent: But how, using the lives of these two women, does a legitimate concern for radical Islam’s suppression of women transform into extremism? I mean, is it the inevitability of the present climate? Whether it be in India or the Netherlands or elsewhere?

Scroggins: Well, I don’t think it has to. I think there are thousands and thousands of women, Muslim women, working to improve women’s rights in the Muslim world who don’t necessarily see a conflict between Islam and democracy and human rights. There’s fascinating things happening as we’ve seen with the Arab Spring. So it doesn’t have to be that way. But in Ayaan Hirsi Ali’s case, she has taken the position that Islam is to blame for the oppression of women in the Muslim world.

Correspondent: All of it.

Scroggins: Yeah. So that’s her stance. And it’s been an enormously popular one in the West.

Correspondent: Why do you think it’s so popular in the West? And why do you think Ayaan Hirsi Ali has managed to attract so many notable intellectual figures? As you point out in the book, Rushdie and Sam Harris author this LA Times editorial. You’ve got, of course, Christopher Hitchens supporting her — three days later, revelations occur — in Slate Magazine. You have Anne Applebaum. And they’re still supporting her — even as it’s discovered that she has lied about her asylum application. Even as she is demanding a 50 million Euro security detail from the EC. Unsuccessfully. I’m curious how a person like this also becomes one of the 100 Most Influential People named by Time Magazine. Is it pure charisma? What is the intellectual value of a figure like Hirsi Ali?

Scroggings: Well, the idea that Islam is responsible for the oppression of women is a very old idea in the West. It goes back hundreds of years. So it’s got a lot of roots here. So when somebody says that, it basically coincides with what people believe. So that’s one reason. I think with Ayaan Hirsi Ali, what really has made her so popular is her incredibly personal story. It’s very inspiring how she tells it. Her coming to the West. Becoming converted to Western ideas. Shaking off Islam. And then being threatened with death for speaking out against it. A lot of people feel very sympathetic to her and feel inspired by her because of that. So I think that’s really why she’s gained such an influential backing. And as to why she got named the 100 Most Influential People, that came right after the murder of Theo van Gogh. And I think it was sort of a sympathy vote on Time Magazine’s part. Because prior to all this, she was a very new junior legislator in the Dutch Parliament. Not somebody who would normally be considered one of the most influential people in the world.

Correspondent: It’s fascinating to me that a good story would be all it would take to ingratiate yourself into the intellectual world. And as we’ve seen with the Rushdie thing, he also fell for a good story as well. I mean, why do you think that narrative seems to trump the investigation? Is it difficult, as you learned over the course of writing this book, to pluck away at the pores, so to speak?

Scroggins: Yes, it is. Because a lot of her story is true. And it is inspiring to people. So that’s a big part of it. Some of the things that have come out — for example, the stories that she told to the asylum authorities. You ask why haven’t her backers backed away from her on account of that. Well, I think it’s because a lot of them feel like they might have done the same thing under the same circumstances. There’s still a lot of sympathy for her, despite the fact. And she has admitted to these lies.

Correspondent: So she’s offered enough remorse in the viewpoint of many of these figures who are supporting her.

Scroggins: Yeah. I don’t know if she’s remorseful. Because she admits that if she hadn’t done it, she would never have become the person that she is today. And it’s hard to see how she would. She would have remained in Kenya.

Correspondent: Well, let’s try to swap between Siddiqui and Hirsi Ali, comparable to your book. When Aafia Siddiqui was getting her doctorate in neuroscience at Brandeis, she actually told her professors that the Koran prefigured scientific knowledge and that the scientist’s job was to discover how the laws of the Koran worked. I’m curious. How was she able to get away with this approach at MIT and Brandeis? I mean, she was able to go ahead and cleave to these religious views and still actually get her education. Can we chalk this up to a profound misunderstanding of Islam at our highest institutions? What of this?

Scroggins: Well, when she started saying these things at Brandeis, her professors were completely shocked. They told me that they had never had a fundamentalist of any description in the program, the neuroscience program at Brandeis. And they actually went back to MIT and they tried to find out. Had she had these views when she had been an undergraduate at MIT? And as far as they could find out, she hadn’t said anything in the science classes at MIT that led anyone to believe that she was a fundamentalist. So that’s one of the mysteries. Whether she sort of changed her views and became more outspoken or whether just nobody paid any attention at MIT. But at any event, by the time that she came to Brandeis, she was done speaking out about this. She was such a brilliant student. She could do all the work, the scientific work, and still make straight As. And her professors still told her, “You’ve just got to keep religion out of it.”

Correspondent: And that was enough.

Scroggins: Yeah.

The Bat Segundo Show #431: Deborah Scroggins (Download MP3)

This text will be replaced

by Edward Champion

Komen for the Cowards: Betraying Breast Cancer

What Komen for the Cure’s cowardly capitulation to Rep. Cliff Stearns means for the future of breast cancer and the preservation of lives.

It is estimated by The American Cancer Society that 39,510 women will die of breast cancer in 2012. But the death rate, as severe as it is, has plummeted considerably since 1990 — in large part because women were screened at an early stage. One clinic these women went to was Planned Parenthood, which conducted 747,607 breast exams (PDF) (or 14.5% of its total services) during the year 2010.

You’d think these great dents to a serious threat would be celebrated by politicians of all stripes as an American innovation. Breast cancer is nonpartisan. It doesn’t care whether the victim is Republican or Democrat. But the politicians would rather paint the town red with their twisted tales. Newt Gingrich has recently pledged to defund Planned Parenthood by 2013, conveniently omitting the fact that the organization isn’t just about abortion. He said that he would rather use the money “to promote adoption and other pro-family policies.” But how is family unity bolstered by restricting the ways in which women get screened? Gingrich is right about one thing. If the blessed matriarchs of his twisted Handmaid’s Tale fantasy have dropped dead from breast cancer, then someone will certainly need to spring for the adoption costs.

The anti-abortion, pro-breast cancer screening type may well ask why an “abortion mill” like Planned Parenthood should be funded at all. Well, it’s the same reason why Big Mac haters occasionally dip into a McDonald’s for the addictive fries. If the previously cited breast screenings aren’t enough for them, what of the pap smears, the prenatal care, the diabetes screenings, the STD testing, the male infertility screenings, and the menopause help? Even if we confine Planned Parenthood’s acceptable services to breast screenings, consider the many free exams that Planned Parenthood has offered, including gratis screening in Boise last June. Financially strapped and uninsured women were able to get the needed treatment for early stage breast cancer.

Funding for the Boise exams was provided by Susan G. Komen for the Cure, a leading breast cancer charity based in Dallas. This financial support allowed Planned Parenthood to perform more than 170,000 breast exams over the past five years. Yet on Tuesday, Komen put a stop to its PP partnerships. $680,000 of badly needed funds will be withheld because Komen is too gutless and too cowardly to stand up to the ignorant bullies who cannot comprehend that breast cancer is a nonpartisan issue. It has opted to cave to what Nancy L. Cohen identifies as “the sexual counterrevolution” in her recent book, Delirium. And in so doing, Komen aligns itself with a long litany of spiteful mongrels like Jerry Falwell declaring that “AIDS is not just God’s punishment for homosexuals, it is God’s punishment for the society that tolerates homosexuals” and deranged outliers like Mike Huckabee, who remarked last year of a pregnant Natalie Portman, “It’s unfortunate that we glorify and glamorize the idea of out of wedlock children.”

Komen has claimed that newly adopted criteria prevents the charity from offering grants to any organization that is under investigation by local, state, or federal authorities. This would include Planned Parenthood. The investigation which Komen is referring to involves Rep. Cliff Stearns’s probe from last September, in which the Florida Republican ordered Planned Parenthood to turn over numerous financial documents at considerable inconvenience. But as Reps. Henry Waxman and Diana DeGette responded, “The HHS Inspector General and state Medicaid programs regularly audit Planned Parenthood and report publicly on their findings. These audits have not identified any pattern of misuse of federal funds, illegal activity, or other abuse that would justify a broad and invasive congressional investigation.” It’s also worth pointing out that, last year, when an anti-abortion activist attempted a James O’Keefe-style undercover video, Planned Parenthood was quick to alert the FBI.

But which organization is really being the opaque one here? Komen certainly hasn’t been transparent about releasing its new guidelines to the press, much less entering into a discussion about what “investigation” implies under this new policy. Shortly after the defunding news was reported by the Associated Press, Komen spokesperson Leslie Aun scurried away from The New York Times‘s efforts to seek clarification on Tuesday night. Nor did she offer another representative to answer Times reporter Pam Belluck’s claims. It was more cold corporatese about “[implementing] more stringent eligibility and performance criteria.”

In other words, Komen wishes to engage in kangaroo court politics whereby Planned Parenthood is deemed guilty long before the trial is done. As Slate’s Amanda Marcotte has helpfully pointed out, this is hardly the first time that Komen has played needless hardball with organizations fighting the good fight against breast cancer.

That Komen’s move comes in the wake of Indiana Governor Mitch Daniels signing a bill last May cutting all government funding to Planned Parenthood in his state is fitting. With one draconian sweep of his pen, Daniels refused to consider how federal law already prohibits federal funds from being spent on abortion, as well as the fact that abortion accounts for only 3% of all Planned Parenthood services. Much as Daniels’s preposterous and self-serving effort to woo hard-line conservatives was a redundant piece of legislation unfairly singling out a group providing vital services, Komen’s turncoat tactics are equally callous in the way organizational image has been prioritized over human lives. The Komen capitulation is a disgraceful deracination, a move more attuned to Afghan moral crimes than a country predicated on separation of church and state. It’s a giant gob of spit dripping down the graceful face of a courageous woman who found hope and humor as she was dying and who longed for other women to live. Under the current Komen regime, these noble ideals have evaporated. The time has come to seek more courageous foundations and win the war against breast cancer.

by Edward Champion

The Bat Segundo Show: Susan Cain

In this 40 minute radio interview, author Susan Cain discusses Quiet, differences between introverts and extroverts, Jung, conformity, Steve Wozniak, Csikszentmihalyi, and the fine line between introversion and misanthropy.

Susan Cain appeared on The Bat Segundo Show #430. She is most recently the author of Quiet: The Power of Introverts.

Listen: Play in new window | Download

SPECIAL BOOK GIVEAWAY: Are we all prone to the malady of the introvert who turns away and gazes only upon the emptiness within? Perhaps this conversation about introverts will clear up this Bertrand Russell idea. And perhaps you, dear listener, can weigh in. The Bat Segundo Show is giving away two copies of Susan Cain’s Quiet. All you have to do is email ed @ edrants.com with the subject line QUIET GIVEAWAY before February 7, 2012. Tell us when you first knew you were an introvert or an extrovert and what effect this has had on your life. Don’t worry. If you’re feeling shy, you can stay anonymous and we’ll keep your names confidential. We’ll read some of the stories on a future program and give away two copies of Quiet to two random people.

Condition of Mr. Segundo: Wondering if Zeno’s paradox is applicable to social types.

Author: Susan Cain

Subjects Discussed: Establishing terminology of introverts and extroverts, David Sloan Wilson, new Kinsey scales, Carl Jung, Jonathan Rauch’s “Caring for Your Introvert,” Google and Apple offered as “introvert comeback” examples, introvert glamour in the 21st century, how the loner idea has changed in American culture, Steve Wozniak, Edward Bernays, Western culture founded upon Greco-Roman ideals, how oratory has driven the spread of Western culture, going to business forces and corporations to understand introverts, Tony Robbins seminars, the self-help industry, the ideal self as a marketing device, Mihaly Csikszentmihalyi’s idea of flow, Peter Hills and Michael Argyle on happy introverts, how flow and happiness differs between introverts and extoverts, responding to myths that introverts aren’t social, the fine line between introversion and misanthropy, Jason Fried’s “No Talk Thursdays” idea, Wozniak’s Homebrew Computer Club, extreme positions from introverts and extroverts, “how to talk to strangers” workshops, the Solomon Asch experiments, conformity and groups, mimicking the opinions of other people, “fitting in,” Gregory Burns’s experiments with the amygdala and groups, high reactive types, shyness, introverted Asian-American populations in Cupertino, pluralism movements involving introverts and extroverts, Jerome Kagan, nature vs. nurture, interactionism, Alex Osborn and brainstorming, Robert Sutton’s response to the brainstorming dilemma, the problems with multitasking, group cohesion in brainstorming, avoiding lopsided perspectives, parents with introverted children, the No Child Left Behind Act, the advantages of role-playing and improvisation, smiling, public speaking as the number one fear, introverted actors and the performance mask, Brian Little looking into introverts being overstimulated, stage fright, being a member of Toastmasters, impromptu speaking, the advantages of anarchy, intense curiosity, Picasso, connections between solitude and creativity, and answers to charges that introverts are filled with hubris and narcissism.

EXCERPT FROM SHOW:

Correspondent: I should point out that, as an ambivert, I’m one of those types who swings both ways. I go ahead and ingratiate myself with all forms of version. I’m wondering if it’s entirely productive to divide the world into these two austere bipolar categories. As you point out in the book, David Sloan Wilson applied these labels to the fruit fly. And I’m wondering if, say, a Kinsey scale of 1 to 6 — to pound the metaphor in here further — is probably more applicable for this kind of thing. I mean, why should introverts of all stripes be lumped together?

Cain: Yeah Okay. So that’s actually a really important question that you’re raising. And the reality is that there’s an introvert-extrovert spectrum and that we’re all situated on different points of the spectrum and that even people who are on the extreme end of the spectrum, whether introverts or extroverts, have sides to themselves that are the opposite side. And Jung — Carl Jung, who is the psychologist who actually popularized these terms — speaks about that. And he says that there’s no such thing as a pure introvert or a pure extrovert and that such a man would be in an insane asylum. So it’s an important question that you’re asking. But at the same time that this is true and that we’re all a glorious mishmosh of traits, there is also a reality to what it means to be, in general, oriented towards the outer world or, in general, more oriented to the riches that are inside your own mind. And these things I believe, these orientations, shape who we are in ways that are as profound as our gender shapes us.

Correspondent: But gradients of orientation. I mean, that’s the key thing. Jung, of course, as you point out, he popularizes the terms in 1921. You have Hans Eysenck doing research in the late 1960s, hypothesizing that humans sought “just right” levels of stimulation. And he ran some tests. So where do we, I suppose, calibrate ourselves if we’re all going to all refer to people as “You’re only an introvert” or “You’re only an extrovert.” I mean, we could get vertist, so to speak. (laughs)

Cain: Right. I guess I would take the “only” out of that formulation. It’s not “you’re only an introvert” or “you’re only an extrovert.” You’re a million other things as well. But I guess a metaphor that I could give for you, that I think is helpful here, is gender. So if I had written a book that presumed to say, “Here’s what men are like and here’s what women are like,” I probably would have been able to get it mostly right describing these categories as groups. But in the case of any one individual, there are going to be men with all kinds of female characteristics and women with all kinds of male characteristics. That doesn’t mean though that there’s no such thing as maleness or femaleness. And that doesn’t mean that these things aren’t hugely important and shape our lives in ways we need to pay attention to.

Correspondent: Yes, but such a book would spawn a million Jezebel threads.

Cain: (laughs)

Correspondent: There’s a danger, I suppose, in cleaving to these labels. And I guess maybe another way of trying to figure out what’s going on here in terms of the schism between the introverts and the extroverts is through a wonderful 2003 Jonathan Rauch article in The Atlantic, not quoted here.

Cain: Yes. Fantastic article.

Correspondent: “Caring for Your Introvert.” He was willing to go on the line and say that introverts are oppressed. I’m wondering if you would go on the line as well. You didn’t in this book. But to what degree are they oppressed? I mean, since 2003, we’ve seen Google and Apple, products of introverts, spring up. And we’re all enslaved by them. So I think the balance may be more or less stabilized. What do you think about all this?

Cain: Okay, so first of all, I would say I did go on the line in this book. And the central thesis of my book really is there is a severe bias against most introverts in this society and that operates to all of our losses. Certainly to the loss of introverts who get the message in a million different ways that there’s something wrong with who they are. But I think it operates to the loss of everybody. Because when we set up society in a way that depletes the energies of half to a third of the population, that’s not in anybody’s best interest. So that’s my feeling about it.

Correspondent: But no real oppression. I mean, if the extroverts are in control, do you think that there’s been enough of a comeback of the introverts in the years since that Rauch article?

Cain: Well, okay, so I think it’s an interesting thing. When I talk about a bias, I’m not saying, “Well, therefore introverts have had no happiness and no success in society.” And the examples that you just gave are very interesting and apt ones. But here’s the thing. Those examples, they’re not accidents. We tend to have respect for the loner who’s operating in his garage and is about to launch a fabulously successful company or who holds the promise of launching such a company. We have respect for that person. Because that person carries with him the whiff of great wealth or power. But what I’m talking about is something that operates at a deeper level of self. And the fact is that if you look at our schools and our workplaces, the institutions where we all spend our lives and where our daily happiness is shaped, those institutes are set up for extroverts. In ways that we’re not aware of. So children from the time they go into preschool at a very early age, they are going into an environment that is a group environment where they are expected to behave in certain ways. I’m not saying this is all a bad thing. But I am saying that it’s set up in such a way that introverted children from the get go are kind of expected to act in ways that are being not themselves.

Correspondent: Yes. But it’s interesting to me that the loner has moved from the sort of James Dean Rebel Without a Cause/Marlon Brando kind of thing to the guy going ahead, like Wozniak, and fiddling around with tools in his garage, in his bedroom, starting a company. And I’m wondering if the loner model has always been associated with introverts or whether there has been some outsider label instead. It seems to me that, because the idea of being a loner was predicated in some way on being a loner in relation to society, you weren’t entirely an introvert. You were more an outsider. You were still an extrovert in some sense. And yet it has moved in the decades since to the Wozniakian model, where you’re tinkering with some massive project that’s going to change the world in your garage. I’m wondering if you had some thoughts on why “loner” has almost been co-opted and has become more related to this introversion idea.

Cain: Oh, that’s interesting. I think that’s probably just a function of the role that technology has played in the last decades. You know, what you’re talking about really is ways in which we have shifted notions of glamour as attached to individual people. So in the ’50s, the decade of conformity, there was a glamour attached to the figure who could stand outside that and still have sex appeal. And then what happens in the decades of technology is suddenly we have introverts who, just because of their great technical competence, can create wealth and power. And so glamour attaches to them.

Correspondent: Introverts aren’t sexy? I think they are. I think they’re being celebrated in our culture. The “Think different” billboards that we got with Apple. It’s been all about “Yes, introverts are sexy. But we just don’t communicate with other people.” You think that they aren’t sexy these days?

Cain: No, what I was saying is that what was happening as technology grew up was that there was a glamour that was attached to that. But what I still believe is that that’s a subset of the reality of what it means to be introverted. And even if you go out to Silicon Valley, the heart of the subset where you would say that this glamour model for lack of a better word is operating — you know, even in Silicon Valley, I went out there while I was researching my book. And I talked to many introverts who were working there. And even there, they feel that their personality style is not validated, that it’s not celebrated. And they’re constantly exhorted to act in a way that’s not natural to themselves.

Correspondent: I suppose this relates to the initial line of inquiry. When you are talking about introverts, when you are promoting introverts, they inevitably feed into this marketing, advertorial sort of approach, where it’s not so much about trying to understand the introvert’s place. It’s more about promoting the introvert. This leads me to also name a figure who you didn’t name in the book — Edward Bernays. I mean, we were talking about Jung earlier. But he relied upon Freudian ideas to promote the idea of being empowered, that manipulation could be used to factor in the herd crowd. “Herd” is a word used frequently in your book. Do you think that one of the problems with introverts being misunderstood or not accepted has a lot to do with this maligning or skirmishing of psychology with these larger marketing forces?

Cain: Well, I think that it goes back even earlier than that. It starts out with there being this kernel in our society. We are a culture that is grounded on Greco-Roman ideals. And these are ideals that celebrate oratory and celebrate being able to declaim in front of people. So that’s a piece of it. But that’s only a small piece really. Because what really happened was, at the turn of the 20th century, we moved from what cultural historians call a culture of character and we moved into a culture of personality. And this happened because suddenly we had the rise of big business. And we had urbanization. So you had people flocking into the cities. And instead of living in small towns and working with people they had known all their lives, they’re suddenly in big cities applying for jobs at corporations, where everything depends on their abilities to shine at a job interview and to be able to sell their company’s latest gizmo and, of course, to sell themselves. At the same time, you have the rise of movies. And movie stars are the perfect model for this.

Correspondent: Of course.

Cain: They are the ultimate role models of this kind of charisma that people are starting to feel they need in their everyday lives. And so in a way, there used to be in the earlier years of this country’s founding, where it used to be that these oratorical skills and this ability to command a crowd was seen as being important only for political figures. Now it was something that everybody suddenly had to have. And at the core of all this was the corporation really. That was why people started to feel that they needed to have these skills.

The Bat Segundo Show #430: Susan Cain (Download MP3)

This text will be replaced