Posts by Edward Champion

Edward Champion is the Managing Editor of Reluctant Habits.

Jelly Spills and Underwear: A Manifesto

I am not wearing pants. This is the optimal thinking position. And this makes my recent failure slightly humiliating. You see, there are several globs of grape jelly that spilled onto my boxers. This was because I faced the common domestic problem of making a jelly sandwich with the hope of using the maximum amount of jelly possible. The trouble was that there was just enough jelly left in the jar for about a sandwich and a half. An immediate decision was made. Finish off the jelly. Who would want enough for only a half sandwich? We don’t do half sandwiches in this house. One hopes to get the most in such scenarios. I got cocky, and it wasn’t just because I was wearing boxers. The remainder of the jelly — all one sandwich and a half of it — was spread onto the bread. For a while, it looked like everything was okay. The whole jelly sandwich, despite the slightly overflowing mass of jelly contained between the two slices of bread, would stay together. The mass would hold. There would be streamers and pinatas. But then the jelly dripped as I raised the jelly sandwich. Gravity was not on my side. I should have performed better calculations. The jelly dripped and plopped and fell atop my boxers. And now I have to do more work — specifically, Shouting it out — when I next wash these boxers. In the meantime, I am wearing boxers with jelly stains. The congealed jelly seems more shameful and disgusting than, say, semen stains. But the manner in which I got to where I am right now is, from a certain subjective viewpoint, less shameful and disgusting, and is more common than most people think. But we cannot talk about it in contemporary America. And since the final results — purplish stains close to the vent where my penis is most likely to pop out, should I be equally careless — are an aesthetic eyesore, you can see why there would be bad feelings incommensurate with the circumstances. This was, after all, an accident. Well, not really, given my overscooping of the jelly. But we can call it an accident. Men like to take off their pants when they are indoors and it is the autumn time of the year. We do this as often as we keep on our black socks when we take all other clothes off. But the black socks move lasts all year round.

I will likely have to wear pants at some future point tonight. After all, one cannot stay in the house forever. One certainly shouldn’t wear the same boxers forever. And yet if not wearing pants is the optimal thinking position, my optimal thinking position has proven to be less than optimal. I might blame the jar of jelly, which had the misfortune of possessing a few extra scoops extra of jelly. I could claim that the jar of jelly caused my present philosophical contretemps. But then that would be pointing fingers and evading my responsibility. The only person to blame here is me. Optimally, I am the source of my jelly problems. And by relaying this domestic anecdote in a public forum, the hope is to encourage all men who have experienced a problem of this sort to emerge from anonymity and to declare that they too have spilled jelly or some other food upon their boxers, and to be perfectly okay with the awkward folly of a slight miscalculation gone awry. I am sure there are also women who have stained their panties with jelly. Frankly, I find that development a little sexy. It doesn’t seem nearly as ignoble as a man spilling jelly onto his boxers. Now I realize that there is a double standard when it comes to spilling jelly onto underwear. I will turn myself into the appropriate authorities at Berkeley.

But I have moved beyond political correctness and into greater possibilities. Perhaps when we next protest some terrible political development, we — men and women — can all march upon the appropriate government wearing nothing more than underwear and with an overstuffed jelly sandwich in our hands. The jelly sandwich can be handed to each protester just before they approach the ideal protesting position. The jelly can then fall onto each protester’s underwear and therefore suggest some diabolical smearing of the pure human spirit. If the protesters eat all the jelly sandwiches, perhaps they might throw jelly at the appropriate political opportunists. (The truly honest protesters can throw jelly at themselves.) Perhaps exciting pornography can be created that involves jelly spills. Perhaps celebrities can appear on television dropping jelly onto their underwear. Perhaps we can get a jelly company to sponsor all this. Or maybe not. Maybe that would corrupt the pure behavioral liberties.

Was this worth writing about? Some would say yes. Some would say no. Some will find this revelation to be creepy; others quirky. For my own part, writing about something embarrassing has caused me to see its potential. I think I will make more deliberate efforts to spill jelly onto my underwear.

Review: 9 (2009)

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“We had such potential, such promise,” croaks an apocalyptic voice at the beginning of an apocalyptic movie. That may as well be director Shane Acker and screenwriter Pamela Pettler talking. 9 is the kind of film you expect from a mirthless marketing team stumbling onto a hip concept discovered two years too late (“Oooh! Steampunk! That’s what the kids are into!”), only to fumble so desperately in the conception. Sure, the filmmakers were given enough money to attract Christopher Plummer, Elijah Wood, Jennifer Connelly, John C. Reilly, and numerous other big name actors for voice talent. But they couldn’t be bothered to come up with a coherent or original script, characters worth caring about, or interesting dialogue. After all, when a film’s characters are given such generic names as #4, #8, #1, The Scientist, Dictator, and #8, one shouldn’t expect dialogue as commensurate. Unfortunately, Pettler can be counted upon to give us such cliched dialogue as “I know where we can find answers!” and “We have to find the source!” (One of Pettler’s forthcoming projects involves the forthcoming Monopoly movie. We shall see if she ends up writing such lines as “We have to pass Go and collect $200!”) Let me put it to you this way. Jeff VanderMeer could have written a steampunk movie in his sleep a hundred times better than this after being bloated with Belgian beer, with both hands tied around his back and using only his nose to peck at the keyboard.

The movie’s environment resembles maps that were too shopworn and derivative to make it on Team Fortress 2, with rust and squeaky wheels randomly deposited in the environment without a real sense of purpose. Acker can’t even decide if the remaining corpses of humanity are skeletal or have only partially decomposed. Acker and Pettler have a promising time period to play with for their parallel universe: what looks to be an alternative history circa 1970 after a Nazi-like empire somehow built up an analog version of Skynet. But because there’s no logic to the environment or the backstory, there isn’t much for us to latch onto except sour eye candy. Watching this film is like being promised a tasty taffy stick and being given a Now and Later that’s been melting in the sun since 1962.

I felt nothing when I watched this film. I kept hoping that the cut scene would end. But it didn’t. It went on for an interminable 80 minutes. I would have had more fun waiting for a video game level to load. At least with a video game level loading, you get some carrot at the end. Something worth your time or something you have some control over. But we aren’t given anything here in our passive roles as audience members except dolls (with a dismaying lack of expression: see the above still; Acker tries the whole wide-eyed look for his titular character and it grows tedious quite quick) who have some dim remnant of humanity to recapture here. And so 9 is nothing more than a steampunk knockoff of Wall-E. But it’s worse than a knockoff. Because Wall-E not only presented us with characters we could care about, but an environment that demonstrated the dangers of present human folly. Without any such reference points, 9 is a lackluster husk of a film.

Hate Mail Dramatic Reading Project #5

hatemail5A few days ago, somebody forwarded me an email. Apparently, someone had sent an angry email to the writer Jason Sanford, claiming that the writer Jason Sanford, despite writing fantasy and science fiction, was apparently ignorant of the genre. The name “Harlan Ellison” was evoked within the email, presumably to secure the maximum hatred possible.

Therefore, my audio series — Hate Mail Dramatic Reading Project — must continue.

The following clip represents my dramatic reading of the hate mail sent to the writer Jason Sanford, read in the style of Richard Milhous Nixon. During the course of my dramatic reading, I began to feel the overwhelming need to tape record all of my telephone conversations. Fortunately, this impulse passed once I had concluded the dramatic reading. I certainly hope that the writer Jason Sanford, as well as listeners, will excuse these dramaturgical explosions.

I plan to continue reading more hate mail. Again, I will be happy to read any specific hate mail that you’ve received. (If you do send me hate mail for potential dramatic readings, I only ask that you redact the names of the individuals.)

Click any of the below links to listen.

Hate Mail Dramatic Reading Project #5 (Download MP3)

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Previous Hate Mail Dramatic Reading Installments:

#4: A hate mail read in the style of a drunken Irishman.
#3: A hate mail read in the style of a quiet sociopath
#2: A hate mail read in a muted Peter Lorre impression
#1: A hate mail read in a melodramatic, quasi-Shakespearean style

A Special Musical Interlude from Stacey Q!

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Fun Facts!

The song was recorded on a TASCAM 85-16. (Source)

In 1986, Tampa Bay DJ Bubba the Love Sponge of WFLZ managed to talk a women out of suicide. She had called in to request “Two of Hearts” as her last song. (Source)

Stacey Q played a character named “Cinnamon” on an episode of The Facts of Life and sang the song at the end. The episode was called “Off-Broadway Baby” and was the fifth episode in season eight. It originally aired on November 1, 1986. A video clip from the episode can be enjoyed on YouTube. (Source)

There was also an episode of Full House in which Kimmy and DJ try and get an autograph from Stacey Q. (Source)

“Put a foursquare disco beat under the music, and Americans might dance to it; exchange a long, intricate melody for a short, repeated hook and more Westerners will think it’s catchy. But follow that recipe too closely, and you end up with Stacey Q singles.” (Source)

Hate Mail Dramatic Reading Project #4

hatemail4A few days ago, somebody forwarded me an email. Apparently, someone had sent an angry email to the writer Sean Aden Lovelace, quibbling with certain fiction categories and forms of prose that the writer Sean Aden Lovelace used.

Therefore, my audio series — Hate Mail Dramatic Reading Project — must continue.

The following clip represents my dramatic reading of the hate mail sent to the writer Sean Aden Lovelace, read in the style of a drunken Irishman. During the course of my dramatic reading, I began to crave beverages of an alcoholic nature, perhaps because the hate mail sent to the writer Sean Aden Lovelace proved very long and I began to become the character. This proved especially alarming, since it was very early in the morning. I have been informed by educated parties that this is what’s known as “sense memory” and that there is no need to alert any psychological authorities. I hope that listeners will forgive my occasional Irish asides, which were not included in the original email sent to the writer Sean Aden Lovelace.

I plan to continue reading more hate mail. Again, I will be happy to read any specific hate mail that you’ve received. (If you do send me hate mail for potential dramatic readings, I only ask that you redact the names of the individuals.)

Click any of the below links to listen.

Hate Mail Dramatic Reading Project #4 (Download MP3)

This text will be replaced

Previous Hate Mail Dramatic Reading Installments:

#3: A hate mail read in the style of a quiet sociopath
#2: A hate mail read in a muted Peter Lorre impression
#1: A hate mail read in a melodramatic, quasi-Shakespearean style