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The 10 Most Recent Dispatches
- The Bat Segundo Show: Agnieszka Holland
- The Bat Segundo Show: Stephen Fry
- The Bat Segundo Show: Deborah Scroggins
- Komen for the Cowards: Betraying Breast Cancer
- The Bat Segundo Show: Susan Cain
- Forgotten Writers: Dorothy Uhnak
- Dwight Garner’s Revisionist Ignorance: Ayaan Hirsi Ali
- Forgotten Writers: The Novels of John P. Marquand
- The Situation in American Waffles
- The Bat Segundo Show: Elliot Perlman
Modern Library Reading Challenge
On January 10, 2011, Managing Editor Edward Champion pledged to read the top 100 fiction books from #100 to #1. Read about his progress as he makes his way through the Modern Library canon!
84. The Death of the Heart (January 6, 2012)
85. Lord Jim (November 30, 2011)
86. Ragtime (October 30, 2011)
Books To Jump Up and Down Over
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (Bat Segundo interview with Murphy)
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (Bat Segundo interview with McClear)
review Archive
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Dmitry Samarov’s Hack
Posted on December 29, 2011 | 1 CommentIn which a thoughtful volume on what it is to live as a cab driver (and a human) is compared against the needless privilege promulgated by Jonathan Safran Foer. -
Another Review of Moneyball
Posted on September 22, 2011 | 3 CommentsSarah Weinman offers her take on Moneyball, getting into the baseball nitty-gritty. -
Review: Moneyball
Posted on September 22, 2011 | No CommentsTwo fictitious sportcasters attempt to make sense of knee-jerk critical reactions to Moneyball. -
NYFF: You Are Not I (1981)
Posted on September 20, 2011 | 1 CommentThis spellbinding 1981 adaptation of a Paul Bowles story was nearly lost, but is now playing as part of the New York Film Festival. -
NYFF: The Loneliest Planet
Posted on September 19, 2011 | 6 CommentsA consideration of Julia Loktev's adaptation of the Tom Bissell story, "Expensive Trips Nowhere," which includes press conference audio, comparison with Paul Bowles, and an email exchange with Bissell. -
NYFF: Mud and Soldiers (1939)
Posted on September 19, 2011 | 7 CommentsApproximately 72% of this 1939 film involves marching. I am not quite certain that this makes for compelling narrative. -
NYFF: Woman with Red Hair (1979)
Posted on September 17, 2011 | No CommentsIn our first dispatch from the New York Film Festival, we ask whether a Nikkatsu pink film measure up to its alleged intellectual ambitions. -
Review: Love Crime (2010)
Posted on August 31, 2011 | 1 CommentThe dazzling Kristin Scott Thomas plays a corporate executive like a professional assassin, but is this enough for a French thriller to embrace its quirks? -
Review: Special Treatment (2010)
Posted on August 25, 2011 | No CommentsWhy have there been so films exploring the parallels between psychiatry and prostitution? And does a new film starring Isabelle Huppert cut the comparative mustard? -
Review: Mozart’s Sister (2011)
Posted on August 16, 2011 | 2 CommentsDoes a new flick about Maria Anna Mozart do justice to the classical music biopic? Or is zest lacking? And is it too crass of our reviewer to use yacht rock comparisons in assessing this movie? -
Review: Tabloid (2011)
Posted on July 12, 2011 | No CommentsIn the first of two reviews we plan to run, Sarah Weinman frames Errol Morris's Tabloid against the phone hacking scandal. -
Review: Bad Teacher (2011)
Posted on June 23, 2011 | No CommentsBad Teacher is a curiously tepid film needlessly sanitized by its good intentions, with an underlying sexism getting in the way of bona-fide subversion. -
Review: Green Lantern (2011)
Posted on June 17, 2011 | 5 CommentsIf this year's cinema has taught us anything, it's this: don't trust a movie with "green" in the title. -
BAMcinemaFest: Weekend, Letters from the Big Man, and The Color Wheel
Posted on June 14, 2011 | 12 CommentsIn this first BAMcinemaFest dispatch, our correspondent takes in weekend flings, Sasquatch romance, and a very annoying hipster who thinks he's Buster Keaton. -
Review: Puzzle (2009)
Posted on May 29, 2011 | No CommentsNatalia Smirnoff's Puzzle is a wonderful behavioral study from Argentina demonstrating that it's never too late to pursue your idiosyncratic interests. -
Review: The Beaver (2011)
Posted on May 6, 2011 | No CommentsWhen it comes to neglected narrative subjects, there's no better figure than the middle-aged white male with disposable income and psychological problems. At least that's the attitude a regressive moviegoer might have had in 1976. -
Review: Arthur (2011)
Posted on April 8, 2011 | 7 CommentsArthur's story logic is so implausible that it has become necessary to pinpoint the insufficient hackwork of scabrous sellouts. -
Review: IMAX Born to Be Wild 3D (2011)
Posted on April 8, 2011 | 2 CommentsThe formula of cute elephants and orangutans, 3D, and Morgan Freeman's narration is calculated to get families parting with their hard-earned dollars. On the other hand, I cannot deny an inherent soft spot within my hard psyche. -
Review: Super (2010)
Posted on March 31, 2011 | 4 CommentsIf you are sending up the vigilante comic book genre, are you creating successful satire if you're upholding the same anti-human values? -
Review: Source Code (2011)
Posted on March 31, 2011 | 6 CommentsLike a dependable pulp novel kept on the nightstand as dutifully as a gun under the bed, Source Code comes stocked with some unexpected ammunition. -
Review: Circo (2010)
Posted on March 29, 2011 | No CommentsAaron Schock has largely resisted Fellini's understandable tendency to reinvent with his striking and quite magical documentary. -
Review: Rubber (2010)
Posted on March 28, 2011 | 1 CommentRubber is a quite pleasant and deceptively pointless picture about a murderous tire. It may or may not be channeling Beckett. -
Review: Potiche (2010)
Posted on March 24, 2011 | No CommentsWhy stick with trophies when you can raise hell and get away with it? A review of François Ozon's latest film. -
New Directors/New Films: Pariah (2011)
Posted on March 22, 2011 | No CommentsSince black homophobia is often too easily portrayed as a symptom of race rather than a symptom of class, it's a relief that writer-director Dee Rees has arrived to investigate the matter. -
New Directors/New Films: Curling (2010)
Posted on March 22, 2011 | 2 CommentsHaving not curled in any meaningful capacity outside of the boudoir, I can safely report that Curling's curling moments did fill me with the sense that I had missed something. -
Review: Win Win (2011)
Posted on March 14, 2011 | No CommentsThomas McCarthy's Win Win is more feel-good propaganda than respectable entertainment. -
New Directors/New Films: Happy, Happy (2010)
Posted on March 12, 2011 | No CommentsThe best thing about Anne Sewitsky's comedy is Agnes Kittelsen, whose bright eyes bounce around with so much life that you figure she's angling to become Norway's answer to Amy Adams. -
New Directors/New Films: Margin Call (2011)
Posted on March 12, 2011 | No CommentsMargin Call takes place during one very dark night in 2008 and has a surprisingly nuanced portrait buried beneath its zesty dramatic intrigue. -
Review: Battle: Los Angeles (2011)
Posted on March 9, 2011 | 13 CommentsBattle: Los Angeles makes Roland Emmerich look like Aeschylus and Battlefield Earth look like Kitchen Sink realism. -
Jane Eyre (1990 : 2011 :: Reality : Film Adaptation)
Posted on March 9, 2011 | 4 CommentsThis 3,000 word personal essay covers more than two decades of one man's relationship to Jane Eyre, from reading the book in high school to the latest film adaptation.