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The 10 Most Recent Dispatches
- The Bat Segundo Show: Agnieszka Holland
- The Bat Segundo Show: Stephen Fry
- The Bat Segundo Show: Deborah Scroggins
- Komen for the Cowards: Betraying Breast Cancer
- The Bat Segundo Show: Susan Cain
- Forgotten Writers: Dorothy Uhnak
- Dwight Garner’s Revisionist Ignorance: Ayaan Hirsi Ali
- Forgotten Writers: The Novels of John P. Marquand
- The Situation in American Waffles
- The Bat Segundo Show: Elliot Perlman
Modern Library Reading Challenge
On January 10, 2011, Managing Editor Edward Champion pledged to read the top 100 fiction books from #100 to #1. Read about his progress as he makes his way through the Modern Library canon!
84. The Death of the Heart (January 6, 2012)
85. Lord Jim (November 30, 2011)
86. Ragtime (October 30, 2011)
Books To Jump Up and Down Over
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (Bat Segundo interview with Murphy)
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (Bat Segundo interview with McClear)
movie Archive
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BAMcinématek: Red Desert (1964)
Posted on September 2, 2011 | 1 CommentAntonioni's first film in color plays BAMcinematek for ten days. What does it have to say about how we live now? -
Review: Love Crime (2010)
Posted on August 31, 2011 | 1 CommentThe dazzling Kristin Scott Thomas plays a corporate executive like a professional assassin, but is this enough for a French thriller to embrace its quirks? -
Review: Special Treatment (2010)
Posted on August 25, 2011 | No CommentsWhy have there been so films exploring the parallels between psychiatry and prostitution? And does a new film starring Isabelle Huppert cut the comparative mustard? -
Review: Mozart’s Sister (2011)
Posted on August 16, 2011 | 2 CommentsDoes a new flick about Maria Anna Mozart do justice to the classical music biopic? Or is zest lacking? And is it too crass of our reviewer to use yacht rock comparisons in assessing this movie? -
Review: Green Lantern (2011)
Posted on June 17, 2011 | 5 CommentsIf this year's cinema has taught us anything, it's this: don't trust a movie with "green" in the title. -
Review: Puzzle (2009)
Posted on May 29, 2011 | No CommentsNatalia Smirnoff's Puzzle is a wonderful behavioral study from Argentina demonstrating that it's never too late to pursue your idiosyncratic interests. -
Review: The Beaver (2011)
Posted on May 6, 2011 | No CommentsWhen it comes to neglected narrative subjects, there's no better figure than the middle-aged white male with disposable income and psychological problems. At least that's the attitude a regressive moviegoer might have had in 1976. -
Review: Arthur (2011)
Posted on April 8, 2011 | 7 CommentsArthur's story logic is so implausible that it has become necessary to pinpoint the insufficient hackwork of scabrous sellouts. -
Review: Super (2010)
Posted on March 31, 2011 | 4 CommentsIf you are sending up the vigilante comic book genre, are you creating successful satire if you're upholding the same anti-human values? -
Review: Source Code (2011)
Posted on March 31, 2011 | 6 CommentsLike a dependable pulp novel kept on the nightstand as dutifully as a gun under the bed, Source Code comes stocked with some unexpected ammunition. -
Review: Rubber (2010)
Posted on March 28, 2011 | 1 CommentRubber is a quite pleasant and deceptively pointless picture about a murderous tire. It may or may not be channeling Beckett. -
New Directors/New Films: Margin Call (2011)
Posted on March 12, 2011 | No CommentsMargin Call takes place during one very dark night in 2008 and has a surprisingly nuanced portrait buried beneath its zesty dramatic intrigue. -
Review: We Are What We Are (2010)
Posted on February 16, 2011 | 1 CommentForget the crass men with the moneybags. Jorge Michel Grau's moody We Are What We Are offers an unexpected alternative route for the cannibal movie's future. -
Review: 127 Hours (2010)
Posted on November 5, 2010 | 4 CommentsI'm relieved to report that 127 Hours, a very pleasant movie about mountain climber Aron Ralston quite literally giving up his right arm, cuts straight to the point. -
Review: Due Date (2010)
Posted on November 5, 2010 | 4 CommentsA comedy featuring a masturbating dog certainly hits the right stroke. Thankfully, there are capable hands behind Due Date, a gutsy and often side-splitting movie that further cements Todd Phillips's rep as a comedy auteur far more interesting than Adam McKay and Nicholas Stoller. -
Review: The Girl Who Kicked the Hornet’s Nest (2009)
Posted on October 29, 2010 | 2 CommentsThe third film in the Millennium trilogy doesn't quite live up to its two predecessors. -
NYFF: Hereafter
Posted on October 8, 2010 | 4 Comments[This is the ninth in a series of dispatches relating to the 2010 New York Film Festival.] It seems inconceivable that Clint Eastwood would direct a film that uses the... -
Review: Enter the Void (2009)
Posted on September 23, 2010 | No CommentsThe Void, in Gaspar Noe’s third feature film, is a Tokyo nightclub. This being a Gapar Noe film, the Void is somewhat dicey. It isn’t nearly as bad as the... -
NYFF: The Autobiography of Nicolae Ceauşescu
Posted on September 20, 2010 | No Comments[This is the second in a series of dispatches relating to the 2010 New York Film Festival.] “The film we just saw,” muttered a nameless tastemaker just after the screening.... -
Review: Neshoba: The Price of Freedom (2008)
Posted on August 13, 2010 | No CommentsThis documentary, focusing on the aftermath of the 1964 killings of three civil rights workers, has the great advantage of being caught within the shoals of an important story. -
Review: Animal Kingdom (2010)
Posted on August 12, 2010 | 3 CommentsThe Australian import has been identified as something close to a masterpiece. The problem here isn't the execution, but the material. -
Review: The Expendables (2010)
Posted on August 11, 2010 | 1 CommentIf anything, The Expendables has caused me to unintentionally come out as a cheesy action movie fan. Well, so be it. But when a movie causes you to remember its predecessors and its influences, is it really a movie to remember? -
Review: Lebanon (2009)
Posted on August 6, 2010 | No CommentsBack in March, The New York Times published a Michael Kamber essay in which Kamber took The Hurt Locker to task for its “realistic depiction.” While the film went on... -
Review: Get Low (2009)
Posted on July 28, 2010 | No CommentsAmerican culture has been too preoccupied with condemning the oddballs. It's a relief when a small movie like Get Low comes along to remind us why they're so interesting, and why Murray isn't just some aging goofball. -
Review: The Concert (2009)
Posted on July 23, 2010 | No CommentsA film coming from France and Russia shouldn't feel like some thoughtless bibelot churned from a Hollywood machine. Find out some of the reasons why in this review of an Eran Kolirin clone. -
Review: Inception (2010)
Posted on July 15, 2010 | 12 CommentsInception is reliant on perfunctory globetrotting, lights dangling atop ceilings, and repetitive amber hues for its "look." It does contain an admittedly intricate plot structure, which cannot be immediately discounted. But when a film feels as dead as a greedy investment banker's onyx soul, one isn't exactly enlivened to clap. -
Review: Cyrus (2010)
Posted on June 21, 2010 | 5 CommentsMumblecore filmmakers Jay and Mark Duplass get a bigger budget in this tale of middle-aged lovers and prevaricating sons. The review includes a strange encounter with a marketing guy. -
Review: The Karate Kid (2010)
Posted on June 10, 2010 | 8 CommentsAge has always been a dicey variable in the Karate Kid universe. In The Karate Kid, Part III — perhaps the most preposterous entry in the series — the 28-year-old... -
Review: Clash of the Titans (2010)
Posted on April 2, 2010 | 3 CommentsEven as a lad, I was not a fan of the 1981 version of Clash of the Titans. A grade school teacher, detecting some faint whiff of precocity, suggested that... -
Review: Cop Out (2010)
Posted on February 25, 2010 | 4 CommentsAs suggested by Peter Biskind’s Down and Dirty Pictures, Steven Soderbergh initiated his “one for us, one for them” plunge into the Hollywood ocean with 1998′s Out of Sight. Richard...