So Much for Shriver

My review of Lionel Shriver’s novel, So Much for That, runs in today’s Chicago Sun-Times. Here’s the first paragraph:

In We Need to Talk About Kevin, Lionel Shriver axed at the angst of self-absorbed parenting while spinning the unspoken psychological grindstone that sharpens school violence. In her severely underrated novel The Post-Birthday World, Shriver expertly established two parallel universes that exposed the delicate fissures buried within a seemingly grounded relationship. One would logically assume Shriver to be the ideal social novelist to fire up the Flammenwerfer for a blistering assault on the ongoing health care crisis.

You can also listen to my 2007 interview with Shriver on The Bat Segundo Show. While I was extremely disappointed by the latest novel, I still believe that Shriver has enough talent to recapture the momentum contained within her last three novels, which are all worth reading.

Donald E. Westlake’s Lost Novel

In today’s Philly Inquirer, you’ll find my review of Donald E. Westlake’s Memory, published by Hard Case Crime. Here’s the first few paragraphs:

The celebrated literary critic Edmund Wilson famously derided the detective story as a form that existed only “to see the problem worked out.” The French critic Roland Barthes was slightly less derisive, seeing a mystery as a facile narrative paradox with “a truth to be deciphered.”

These reductionist takes presumptuously assumed that mysteries served only as plot-oriented puzzles, and that thematic truths and behavioral insight were taking a busman’s holiday within an allegedly inferior form.

But a magnificent novel from mystery writer Donald E. Westlake, collecting dust in a drawer for four decades until an unexpected excavation just after his death on Dec. 31, 2008, demonstrates that his talent clearly extended into the literary.

You can read the rest here.

New Review: Gail Godwin’s Unfinished Desires

My review of Gail Godwin’s Unfinished Desires appears in today’s Chicago Sun-Times. Here’s the first paragraph:

Over the past half-century, the extreme religious right, as documented in Michelle Goldberg’s Kingdom Coming, has transformed certain fidelities about faith into snaky traducements that resemble a spastic Tex Avery cartoon. This surrender of common sense has sullied the more sober connections between spirituality and American life, creating an exploratory reticence among novelists that has softly settled into the cultural berm. But Gail Godwin, one of American literature’s best-kept secrets, has quietly eked out a thoughtful bypass in which orthodoxy and human folly are often entangled.

You can also listen to my recent interview with Godwin on The Bat Segundo Show.

New Review: Charlie Huston

I’ve interviewed the extremely entertaining writer Charlie Huston twice now for The Bat Segundo Show: once in 2007, where Huston rather devilishly attempted (and failed) to employ a minor Yojimbo between the good Rick Kleffel (also a Huston fan) and me, and again in last February (accompanied by a short video excerpt). But as funny and as enthralling as his last standalone novel was (The Mystic Arts of Erasing All Signs of Death, nominated days ago for an Edgar), Huston’s most recent novel, Sleepless, as I argue in today’s Barnes and Noble Review, represents a major step forward as a writer. Sleepless is an unusual fusion of dystopian cyberpunk, multiple perspectives, and fatherhood, and it really deserves more press. But, as John Fox has thoughtfully observed, today’s book reviewers have permitted idiosyncratic gripes and personal prejudices to intrude upon the sheer pleasure of reading. Small wonder that genre gets ignored or writers who attempt something different are castigated, and that today’s critics, with rare exception, remain about as adventurous as a company man too terrified of venturing more than six blocks away from his workplace during lunch hour.

Whether Huston will ever breach past these retroussé-nosed sentinels, now working themselves into a needlessly vigilant lather over Joshua Ferris’s sophomore slump, is anyone’s guess. The newspaper book review sections, for the most part, remain dull and uninviting in this volatile economic climate, too afraid to take chances or to offer space to thoughtful contrarians, and too diffident to hand over their column inches to anyone possessing even a modest strain of passion. But for those of us who still love fiction, and who can still remember the first time they were excited by a novel, I’m here to tell you that Huston is the real deal. In just five years, the writer who has savagely tortured animals and ushered his two series protagonists (bartender turned vigilante Hank Thompson and New York vampire Joe Pitt) through gritty and gleeful perdition is beginning to blossom before our eyes. As such, Sleepless is the first great novel I’ve read in 2010. And you can read why in today’s Barnes & Noble Review.