The Last Days of Russell T. Davies

“Turn Left” isn’t quite as appalling as last year’s “This didn’t really happen” two-part Doctor Who finale. But it’s still filled with Russell T. Davies’s insufferable complacency. There doesn’t appear to be much of a purpose to this episode, other than for Davies to remind the Who fans just what he’s given them. It reminded me of the childish “Dimensions in Time” promotional nonsense that John Nathan-Turner was once deservedly ridiculed for, but that Who fans now accept without question. (I also don’t think it was an accident that we were given a moment in which the TARDIS was gutted by Torchwood, with numerous wires and cables affixed to the dying police box. There seemed something metaphorical here about Davies’s relationship with the show.)

Now I’ll give Davies last week’s “Midnight.” Once you got past that episode’s first ten minutes of touchy-feely nonsense (Wow! A lesbian!), Davies did spin a half-decent claustrophobic yarn, helped in part by Alice Troughton’s crisp direction and the fascinating bigotry channeled by David Troughton. But let’s face it. On the whole, Davies’s writing contributions have amounted to little more than camp, politically correct casting, and speculative fiction premises that are about as cutting-edge as a Betty Crocker recipe unleashed at an Eisenhower fundraising event.

“Turn Left” reminds us of the reprehensible fat blob babies from “Partners in Crime,” the disappearing hospital from “Smith and Jones,” and numerous other references to the last four years that suggest deep import. But it’s been Paul Cornell, Mark Gatiss, Robert Shearman, and Steven Moffatt’s scripts that have offered originality and intelligence, and have kept the show rolling. (The less said about Helen Raynor’s “give the people what they want at the expense of Who mythology” two-parters, the better.)

That insectoid on Donna’s back was about as convincing as a leftover prop from a Roger Corman cheapie. Hell, Alpha Centuari, that silly six-armed alien from the Pertwee Peladon stories, was more convincing. And you want to know why? Because at least that silly supporting character had heart. The unspeaking insect was utterly ridiculous in its purpose and its motivations. “Turn Left”‘s premise, complete with the insultingly pedestrian paradox presented in the episode’s title, was bullshit. We’re expected to believe that the Doctor wouldn’t regenerate after being smitten down by a spider queen. Never mind that the Timelord was able to regenerate after being poisoned by spectrox toxaemia. Rose Tyler appears from another universe that she was supposedly trapped in without any reasonable explanation. And it has long been clear to anyone watching the show that the Doctor is useless without his companions. So why ramrod this point into the audience’s noggins?

Next week sees the first of a two-part finale featuring Captain Jack, Daleks, three companions, and a partridge in a pear tree. It too is written by Russell T. Davies. And I fear the worst. I hope that some of the “Midnight” special comes through. But until Russell T. Davies is gone permanently, I suspect that I will be forced to drink copious amounts of bourbon to cope with Davies’s unpardonable tamperings.

Obama Begins the Sellout Phase of His Campaign

It started earlier this week when Barack Obama became the first presidential candidate to forgo public money. It continued yesterday when Barack Obama pledged support for the FISA “compromise” bill, which grants telecom companies immunity for past offenses of illegal wiretapping, and issued this appalling statement. With Senator Harry Reid flip-flopping over his “total opposition to immunity” to save Obama’s ass, it is becoming quite apparent that the Democrats are once again content to take on the instincts of frightened little animals. And it’s a pity that all this comes immediately after Dennis Kucinich’s efforts to move impeachment articles through the House Judiciary Committee. Obama’s Clintonian spin on the telecom bill represents the acts of a pusillanimous opportunist. The rest of us, pining for the integrity that led us to Obama in the first place, feel sick to our stomachs.

Meanwhile, Senator Russ Feingold, one of the few Democrats demonstrating some capacity for outrage, has called FISA “not a compromise. It is a capitulation.” One might say the same of Obama’s recent decisions.

[UPDATE: Some additional context from BLCKDGRD.]

The Bat Segundo Show: Sarah Hall

Sarah Hall appeared on The Bat Segundo Show #206. Hall is most recently the author of Daughters of the North (published in the UK as The Carhullan Army). My essay on Sarah Hall can be found at the B&N Review.

Condition of the Show: Remaining optimistic about a dystopian future.

Author: Sarah Hall

Subjects Discussed: Daughters of the North vs. The Carhullan Army, writing books that aren’t set in the present day, concern for environmental details, the comforts of familiar territory, catastrophe knocking everything to the past, the wandering impulse within British dystopian novels, Rupert Thomson, Anthony Burgess’s The Wanting Seed, the tension between town and country, literary conversations and outdoing Margaret Atwood’s sense of terror, overcoming perceptions associated with women writers, Samantha Power’s castigation, being overly scrutinized, presentation of the author, the authenticity of testimony, writing a pageturner vs. a leisurely literary novel, being more selective with sentences, writing within confining environments, switching to first person, the origins of the Nixon surname, characters with reddened faces, rural words, Brave New World, names that echo across history, the origins of Rith, schools and buildings that shut down after centuries, Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas,” the dog box and the military training that inspired it, a microutopia within a macrodystopia, nitpicking the apathy within Daughters of the North, the possibilities of revolt and verisimilitude, manipulating the reader and gray areas, violence that occurs offstage, women and violence, bumps on heads, the beauty of corporeal flaws and dilapidated environments, how society transforms the body, To Kill a Mockingbird, Robert C. O’Brien’s Z for Zachariah, sudden relationships and getting to the naughty bits, pornography, the risks of thinking on the page, and romance.

EXCERPT FROM SHOW:

Hall: I think familiar territory is always of comfort to a writer. I find the North of England, where I’m from, fascinating. It’s a very dramatic landscape. It’s kind of a Wordsworth country. So you’ve got the Romantic sense on one hand. And then you’ve got the strange past battling with the future. I suppose Hardy did this to an extent as well. You pick a territory. And even if it’s rural, you have human beings working within that arena. So human drama is going to arise out of those interactions. And I’ve always felt, even though the settings are sometimes quite remote and underpopulated in my fiction, there’s enough going on. You can explore ideas of civilization, breakdown of civilization, human emotional dramas. All the rest of that. But I think what’s interesting with Daughters of the North is — even though we’re casting ahead maybe thirty, forty years from now — and I think British science fiction and speculative fiction does this a lot — there’s this idea of play. When catastrophe happens, everything is knocked back to the past. And so here is what you’re left with. Day of the Triffids. This strange science fiction going on. But at the same time, everybody’s going down to the pub like they always have.

Why There Will Be No Roundup at the Stroke of Midnight

The roundup could have occurred. But since I have become reliant upon Bloglines for my influx of information and since I have attempted to be somewhat neat in the way I organize my many feeds through this process, this attempt at organization has resulted in my downfall. I intended to merely click the boxed plus box to expand the Books section of my feeds, but I somehow clicked the word “Books” instead, resulting in Bloglines opening every single goddam one of the hundred or so feeds that I rely upon in the framed window.

Bloglines does not have an undo function for this.

Thus, any new information I receive from the blogosphere will have to wait until time has passed.

I suppose I could mark everything as new. But I am too lazy to do this. And I would have to systematically do this for each blog.

I suppose I could switch to Google Reader. But since there is no Bloglines export, this will involve work. I am also too lazy to do this.

Thus, because of a foolish misclick and laziness on my part, there shall be no roundup at the stroke of midnight. I am sure there are interesting stories, blog posts, and other assorted information I missed.

My dog also ate my homework.

A relative is dead.

I believe I may have come down with something, but you will not hear it in my voice.

I’ve had a personal emergency. (I’ve used this excuse before and when I have arrived at work the next day, I remain silent and appear morose, maintaining a very serious expression. The idea here is to suggest by this appearance that something serious and possibly life-threatening has happened and, if co-workers pry, you can let loose a casual detail. Some perfunctory detail about a fistfight with the fuzz. Some blur about hundreds of dollars gone. As excuses to miss work go, this one is probably the best and the least subject to question.)

My dog drank from the poisoned tap water.

He tried to molest me while installing cable.

I had a severe operation at the hospital. Don’t worry. It won’t affect the health insurance rates.

There is a loud beeping in my head. (I like this excuse better than “I have a migraine,” which is strangely unconvincing even when it is true.)

They shot up the guy next door and the police are holding me for questioning.

I anticipate oversleeping by about eight hours.

Bloglines has a bullshit interface.

[UPDATE: Okay, some initial experiments have begun with Google Reader. Have managed to export from Bloglines. Thanks to the commenters!]