by Edward Champion

Cry of the Hornet

The loud flashes pierced into his eyes as they ushered him before the cameras. The shrapnel of sharp questions sliced into inextricable loss that the men behind the massacre could never tally up or scratch away, and for which they still hadn’t apologized.

He still flinched from the stench left in the wake of the carcass that had once been his home, the hillock of his humble life, the now obliterated pile for which he had moved hard mountains. He had wanted to die with them, but he was halfway through a twelve-hour shift when he got the call. At the moment his cell phone chirped, he was selling a pack of Marlboros to a gloomy guy sliding dimes across the counter, grumbling about the economy. But he knew he had to go on.

He couldn’t believe the news and he couldn’t close the store. There was nobody else. And if he didn’t move a hundred dollars by day’s end, they’d be short for the month. There were no savings.

The pilot had lived, ejecting just before the Hornet rammed into their humble stucco home. He wanted answers, but his neighbors only offered spooky silent stares. Shadowy details loosened once they saw his dark inquisitive face. The deaths had been sudden. The wreckage would be remunerated. The tall thin plumes could be seen as far away as Poway.

Now he was here. Lost in a crackling haze of slapdash queries he’d somehow felt obliged to answer. The journalists asked him what he thought of the pilot, but they’d never know the fluke of this sacrifice. They asked him what he was going to do next. Forgive so that he could go somewhere and grieve, but not forget.

God, he had loved them. It wasn’t so much not seeing his daughters grow up or his wife grow old or even his grandmother’s kind smile, but the comforts of their happy routine. The knowing twinkle that came when she read his mind. His kids discovering some pedantic joy he’d somehow overlooked. All now dry and irreplaceable rivers frozen into the hazy pool of memory.

He couldn’t remember the words that the cameras and the microphones had recorded. But he must have said something. The phone never stopped ringing. The letters kept coming. They’d even tracked down his email address. They called him a hero, but he had only done the right thing. And he wanted to go back to work because it was the only regular routine he had left. Even if it meant crying and remembering in the lonely terrain of the dark while they sung the stark ballads now attached to his name.

by Edward Champion

Revised Thoughts on Twitter

Twitter has changed everything for me. I say this after last year’s unsuccessful initial plunge. Back then, I did not understand Twitter and dismissed it, as Tito Perez suggested in the comments, with the reactionary zeal of an old fogey waving a scolding finger at blogging. Perhaps part of the problem was that Twitter hadn’t quite found its sea legs. Much like the early days of blogging, Twitter was then an unruly expanse of stray text messages. It was a bit like attempting to sail in a murky lake littered with barnacles and driftwood. You’d hear sharp cracks against the hull when all you really wanted to do was sail forward.

But now that I’ve warmed up to it considerably, I’ve found Twitter to be an essential medium that can be used to collect interesting bits of information and communicate with others. It’s something of a conceptual lab, where everyone can throw around crazy ideas. It’s also a handy way of checking in on friends. Much like Wikipedia, it provides invaluable (and possibly untrue) leads that you can independently corroborate. And when you verify something, you begin to think about it. And when you think about it, you begin to write in some relatively cogent form. Twitter may very well be one of the reasons why my already overactive brain is capable of churning out a livelier conceptual stew. (In cases like this, where concepts often threaten to dislodge the noggin, I find it wise to heed ZeFrank’s helpful advice about “brain crack.” Assuming people are using Twitter the way that I am, perhaps Twitter is, in its own way, assisting people in departing from their brain crack.)

Because the medium is communal, and because there are so many tweets that fly across your screen, the power laws controversy that riled up bloggers back in 2003 may not necessarily apply here. I understand that there have been efforts to log the most popular Twitter users, but such exercises miss the point of tweeting. Yes, you’ll find John Cleese, Stephen Fry, Warren Ellis, and Shaquille O’Neal. But since you determine who you follow, you likewise determine how Twitter works for you. You can avoid the charlatans who want to sell you things, the newspapers and websites who spam you with thirty links in three minutes, or the narcissists who want to drag you into the morass. And when someone tweets you out of the blue, you then find another interesting soul to follow or tweet with. Somehow, it all works out. It never becomes too overwhelming. As someone who was around during the early days of blogging, which some have framed as a golden age of possibilities, I find myself having similar thoughts about Twitter. Yes, it will likely become monetized. These mediums always do. But for now, enjoy it while it lasts. It’s a tool that can work for you.

It is possible to spend too much time on Twitter and get on a mad roll of prolific tweets. With the exception of important political events or live coverage, I try to avoid such exercises out of deference to my followers, who I know are following other people. (I remain quite surprised that apparently some people are interested in what I have to say within 140 characters. You will not find much pith within this barrier.) To negotiate Twitter, one must practice some restraint. Just as one must practice some restraint in relation to the Internet. Because I’ve seen good people go mad. Twitter, like anything, can overrun your brain. And it is vital to think.

But Twitter has also had a positive effect on this blog and my writing in general. I find myself writing slower here and faster on Twitter. Suddenly, the roundups that I’ve generated sometimes seem like extraneous exercises. I’ve become more inclined to go on mad tangents. After all, I’ve already thrown the link around on my Twitter feed. I find myself more enthralled with the long form. More willing to be some kind of half-assed chronicler. Maybe Twitter is just what the blogosphere needed to mature. It’s not so much about who links where. It’s now about the voice, which is what attracted many of us to this medium in the first place.

The folks who run Twitter have found a way of making feeds work for us. Just about any self-respecting geek has long hoped that RSS feeds would catch on. But they haven’t. At least not in the way that the feed founders intended. Mechanisms such as Google Reader, Twitter, and podcasting permit us to visualize and use the feed in a way that makes it work for us.

Having said all this, I don’t see how Twitter can make any money. So many people use it. And there are often regrettable Twitter outages. But there is no Con Ed representative to shout at. If these outages come at times when you need to sift through information, it can feel something close to withdrawal from a drug. Yes, one can plant some of the information into a blog entry. But it doesn’t feel the same. The Twitter interface is very particular.

For now, the great circus carries on, sans advertisements or sponsored links. The truth of the matter is that we’re all waiting for Google to buy it. But in the meantime, many of us can use it and feel that we’re now in the midst of something exciting. Until Paul Boutin writes his premature elegy for Twitter sometime in 2010.

My experience with Twitter has caused me to attempt a shift in direction for this blog. Something akin to what I tried with the Filthy Habits incarnation of this site before I returned back to the quasi-Reluctant voice. I’m going more long-form. I’ll be putting up posts that are around 600 to 1,000 words. Strange essays. Prose exercises. I’ll even review a few things here. Books and movies. Etcetera. I think this website is probably going to be more like a newspaper column than a blog. And I’ll still happily edit anything that people want to send me. But I have no conscious plan other than long-form musings. I’m going to see how this all plays out while I do it. If you’ve liked the short form, well, you can always follow my Twitter feed.

I have Twitter to thank for this wholly unintentional development.

by Edward Champion

Roundup

  • Bookbrunch is reporting that, contrary to Robert McCrum’s insistence that the literary lunch is dead, recently sacked Telegraph literary editor Sam Leith was indeed taken out to lunch by Bloomsbury and commissioned to write a comic novel called The Coincidence Engine. By the way, if anybody wants to take me out to lunch and talk to me about my novel-in-progress, let me know.
  • It seems that on Facebook, happiness isn’t really a warm gun, but it can be found through a friend you add. My own tendency is to pretty much say yes to anybody on Facebook. The other day, Anne Rice, whom I do not know and whose books I have stopped reading, asked me to be your Facebook friend. Now if Anne were a real friend, we’d hang out and have mojitos during happy hour. She’d tell me her latest troubles over the phone. I’d offer a shoulder to cry on. We’d have a number of exciting adventures with other friends. But since this was Facebook, this typical friendship was probably not going to happen. Nevertheless, I figured, why not? Maybe Anne’s lonely. Maybe if she’s Facebook friends with me, this will make her happier. Then again, maybe “happiness” is being confused with an opportunistic marketing move. Is it really Anne Rice at the other end or some young and savvy publicist who wants to use the latest technology to get hip with the kids? I am sometimes suspicious of authors who add me as Facebook friends only a few months before one of their books is published. There have been a few instances in which I’ve run into an author in person, an author who added me as a Facebook friend and who initiated the step, but who did not recognize me. Presumably, their gesture for friendship was somewhat phony or motivated by something else. But since adding a Facebook friend hurts nobody, why not add them? It’s the virtual equivalent of cheering up a stranger in the elevator!
  • Ingrid van Vliet has a very interesting way of answering questions.
  • Benjamin Black profiled at The Elegant Variation: Part One, Part Two, and Part Three. What you may not know is this: Jim Ruland just happens to be a pen name for Mark Sarvas.
  • Tina, Dahling, if you’re serious about it, dahling, why don’t your Daily Beast editors return emails?
  • If you’re a struggling freelancer who doesn’t have a Y chromosome, consider donating eggs to make ends meet. (We men get a mere $100 to donate sperm. You know, it’s very humbling to know that your mojo has as much value as a pretty decent Strand haul.)
  • And I’m with Timothy Egan: the time has come to beat the shit out of Joe the Plumber.
by Edward Champion

Alternate Final Paragraphs for the John Sargent Memo

Gawker recently republished a memo distributed to Macmillan employees that announced a pay freeze for anyone making over $50,000. The memo contained one of the most heartless final paragraphs contained in a publishing circular this year.

By a strange coincidence, Reluctant Habits has obtained a list of three alternate paragraphs that Mr. Sargent briefly considered:

1. I know that this news feels as if we’re ass-raping you and your family. And quite frankly, we are. But I trust that you and yours will have a happy and healthy holiday season as we are systematically sodomizing your relatives.

2. I know that I’m an insensitive clod. But the money men have insisted that I should reach out to you in some way. So a happy and healthy holiday season to you and yours. I’d take you to Malibu with me. But times are tough.

3. There is really no way that I can end this memo without coming across as an asshole. But thank you so much for your efforts, and for taking one for the team. A happy and healthy holiday season! It’s all about sacrifice!

by Edward Champion

Top Ten Books of 2008

As this grim year draws to a close, the time has come to celebrate the best in books while the publishing industry celebrates the apocalypse. To read my thoughts on this year’s essays, you can head on over to The Millions, where my entry in A Year in Reading has just been posted. I’ll also be popping up later at Ready Steady Book, The Chicago Sun-Times, and The Barnes & Noble Review for their respective celebrations.

What follows is an alphabetical list of the books that, in my view, mattered the most in 2008. You’ll note that Roberto Bolaño’s 2666 is not on this list. Why is that? Yes, I took the book with me during my Thanksgiving vacation. But I made a deliberate decision to not read it until next year. I assure you that this was not some fashionably contrarian decision. The 25 pages I’ve read have indeed been quite interesting, and I remain confident that the remaining 875 pages will prove to be more gripping than the world’s most dependable dentures. I’m certain I’ll become one of those wild-eyed acolytes naming my firstborn son “Roberto” in honor of the great dead author who may or may not have been a heroin junkie. But I’m very much of the belief that good reading involves looking between the cracks and not always reading the obvious titles. So I have decided to put off 2666 until next year, where I can read this important novel without getting lost in the hype, thereby recusing myself from any possible ethical qualms. Besides, the book needs no love from me. It continues to be heralded as the Second Coming. And I’m waiting for the FSG publicists to work their magic and have Bolaño return unexpectedly from the grave.

You will certainly not see the sleazy favoritism practiced by Sam Tanenhaus (I have tried to spread the love across multiple publishers), nor the gutless and tone-deaf choices on Jonathan Yardley’s list. The latter list surely presents a strong case for Yardley’s retirement. (In fact, you won’t find see any of their respective selections on my list.) But as a caveat, I must observe that I am friendly with a few writers on this list. This friendliness, however, has no bearing on my decision-making process. I am likewise friendly with a number of writers whose work I do not care for, but who I have always encouraged to write better. (And, no, I will not name those names. It’s hard enough to stay writing when the publishing industry remains locked in a crazed freefall.)

Selecting the best books of the year involves remembering the titles that have slipped from our memory. And I have tried to pick books that have done just that. The intriguing thoughts contained within Samantha Power’s fascinating biography, Chasing the Flame, for example, were occluded by the Hillary Clinton contretemps picked up on the gossip circuit, for which we have The Scotsman to blame. While Power’s book didn’t quite make the top ten cut, it is noted, along with a few other forgotten books, in the Honorable Mention section near the end. I must also point out that Andre Dubus III’s The Garden of Last Days, despite being around 550 pages, was one of those rare novels that I simply could not put down.

It occurs to me that this is a needlessly longass introduction for a top ten list. Well, no matter. I shall try to keep my thoughts on the ten titles confined to a paragraph each.

Nicholson Baker, Human Smoke: This was a much maligned book from a quirky talent who has had a long history of being misunderstood by the critics. Nicholson Baker never claimed to be a historian, but he did dig dutifully through newspapers, sufficiently demonstrating how some vital stories get lost in the jingoistic funhouse. Human Smoke dared to present an alternative series of events that, wherever one stands politically, made a very strong case that the events leading up to World War II (much less any history) need to be reconsidered through a different prism. Even if one disagrees with the premise that pacifism could have ended the war, there nevertheless remains a fascinating dilemma for the reader. Could it be that the established history we commonly accept isn’t nearly so comprehensive? What information are we throwing away? And what responsibility do we have in widening the floodgates decades down the line to account for our missteps in the present? (For more on this book, see the Human Smoke roundtable discussion that was conducted on these pages: Part One, Part Two, Part Three, Part Four, and Part Five. See also Bat Segundo interview.)

Sarah Hall, Daughters of the North: Recently, Gavin Grant helpfully reminded me that, as good as Daughters of the North is, there were plentiful feminist titles from the 1970s that went much further in their political ambition and sausage-slicing ideology. But Daughters of the North (known as The Carhullan Army in the UK) not only represents a natural evolution for Hall’s great writing talent, but it’s one of the few dytstopic novels of 2008 that, like Atwood’s bleak ball-busting pair (Oryx & Crake; The Handmaid’s Tale), I don’t believe will end up as a time capsule. (For more about this book, see my essay on Sarah Hall’s books for the Barnes & Noble Review. See also Bat Segundo interview.)

David Heatley, My Brain is Hanging Upside Down: I have been asked to contribute my thoughts for the Barnes and Noble Review‘s forthcoming best of books list. Since I am a man of honor when it comes to my professional duties, I feel that the right thing to do is to remain silent and mysterious . But I will fill in this blank and update this post when the link goes up. Needless to say, the book in question does fall alphabetically between “Hall” and “Hunt.” And I’m pretty sure that you can figure it out. (UPDATE: The list is now up. And you can also listen to the Segundo interview here.)

Samantha Hunt, The Invention of Everything Else: Like the work of Scarlett Thomas and Richard Powers, Samantha Hunt’s second novel is unapologetically concerned with communicating a sense of informative wonder to the reader. The book concerns Nikola Tesla’s last days in 1943, and a young chambermaid’s to understand him while her father tries to build a time machine to contact his dead wife. This unusual story, which also features several enjoyable glimpses of excitable people indulging in questionable pursuits (including an astutely realized old-time radio show), asks us to consider how much faith we should place in the crackpots of our world. Are great minds any crazier than the rapacious money men who exploit them? Would our nation be thriving right now if we dared to listen to those who are regularly discounted? (See also Bat Segundo interview.)

Nam Le, The Boat: I’ve long been unnerved by the continued lionization of writers who desperately cling to their MFA toolboxes like organization men who fancy themselves longshoremen because they have seen the sea. These types often mistrust their innate voices and fear their idiosyncrasies, and we are all the lesser for it. But early in the year, this book arrived in my mailbox out of the blue. I knew very little about it, but I began reading and found myself captivated by a rare talent who thankfully can’t be pigeonholed. Nam Le writes in multiple tones and multiple locations. This astonishing debut short story collection features heartbreaking portraits of transition (“Halflead Bay”), some playful postmodernism (the opening story features a character named Nam Le), and what I interpreted (I seem to have been the only one) as a muted and juicy satire of the New York artistic life (“Meeting Elise”). (See also Bat Segundo interview.)

Sarah Manguso, The Two Kinds of Decay: The celebrated poet Sarah Manguso suffers from a rare neurological disease called CIDP. As we learn in this short but stirring memoir, the disease is so rare that many doctors don’t quite know how to treat it. Manguso tackles both the literal and metaphorical ramifications of her personal dilemma, employing both high and low language, describing how she moved in and out of hospitals, and how dealing with this disease directly affected Manguso’s life. She learns, and we learn, that living is a scenario in which we must pay attention, and that paying attention, often in ways we aren’t entirely aware of, sometimes has unexpectedly moving results for ourselves and the people around us. (See also Bat Segundo interview.)

Stewart O’Nan, Songs for the Missing: The story goes that, over the years, Stewart O’Nan has made continued stabs at finishing this book, with the results often spilling over into other titles (such as last year’s excellent Last Night at the Lobster). But now that he’s finally completed it, O’Nan has accomplished something rather amazing here. This novel is ostensibly a mystery, in which an eighteen-year-old girl disappears and efforts are made by the family and a small Ohio town to find her. While this would seem to be a fairly typical storyline, you wouldn’t know this upon reading it. This book is one of the most astute presentations of human behavior and its unintended consequences that I’ve read this year — very much influenced by Richard Yates’s realism and rivaling Lee Martin’s The Bright Forever for a novel of this type. And that’s not an easy thing to do. I’ve found myself passing along this title to a number of writers who simply must study the way in which O’Nan embeds quiet details within this novel, and now I feel ethically obliged to pass along this title to you. (See also the Bat Segundo interview with O’Nan for his last book, Last Night at the Lobster.)

Ed Park, Personal Days: Long-time readers of this site will know that Good Man Park and I have carried out a strange interplay in the blogosphere. But I truly didn’t expect the Other Ed (or am I the Other Ed?) to knock this one out of the park. This office novel atones for Joshua Ferris’s overrated novel, Then We Came to the End, by offering crazy literary experiments (such as one section composed of a relentless pages-long sentence “written” by a worker who lacks a period on his keyboard), and permitting Good Man Park to flex his giddiness in fictive form. My only quibble with this novel is that Park may be self-censoring himself a tad about the horrors of office life, but it’s a small point that will hopefully be rectified in future novels. (See also Bat Segundo interview.)

Ross Raisin, God’s Own Country: Raisin’s debut novel wasn’t nearly as well received on this side of the Atlantic as it should have been. But its sheer stylistic invention alone deserves high notice. Here is a writer who is not only willing to explore uncomfortable truths, but who has managed to use language in a way that permits us to empathize with a monster. The vernacular here doesn’t just form a parochial barrier. It may very well be one of the fundamental aspects that prevents us from helping the most troubled members of society. (See also Bat Segundo interview and my supplemental lexicon to many of the terms used in the novel.)

Leslie What, Crazy Love: This quirky short story collection has been almost completely overlooked by readers who look at the fantasy genre with the same frightened isolationism readily observed in George W. Bush’s move to a neighborhood terrified of non-Caucasian residents. That’s a great shame, because there are invaluable lessons here on how to take a wild idea and make it concise and enthralling. The collection contains unsettling allegories and gleefully imaginative premises. There isn’t a single story in here that doesn’t take some kind of narrative gamble. And while the dice-rolling doesn’t always pay off, it certainly remains hot in your hands. (See also my Washington Post roundup.)

Honorable Mention: Andre Dubus III’s The Garden of Last Days (Segundo), Elizabeth Crane’s You Must Be This Happy to Enter (Segundo), Jenny Davidson’s The Explosionist (Segundo) Jeffrey Ford’s The Shadow Year (Segundo), David Hajdu’s The Ten-Cent Plague (Segundo), Nick Harkaway’s The Gone-Away World (B&N Review), Samantha Power’s Chasing the Flame, Mark Sarvas’s Harry, Revised (Segundo), Brian Francis Slattery’s Liberation (Segundo for Spaceman Blues), and Neal Stephenson’s Anathem (Segundo).