In Defense of Details

Scott offers a defense of Vollmann: “Yes, Vollmann gives us a lot of details–Pushkin, three corpses, the offhanded remark on the German language. Perhaps we could have stripped the Pushkin reference, gotten rid of two corpses, exed out the whole bit about the Nackenschuss. We could do all that, but then what would be left of Vollmann’s original intent, of his desire to communicate the clash of cultures during the war in Central Europe? Why, without Vollmann’s details, this war could be taking place anywhere. Besides, isn’t it interesting that whereas the Soviets have slogans, the Germans have words for executing someone through the base of their skull? And how keen of Vollmann to note that these Soviet peasants, whom all the might of the Soviet state was unable to bring together, were so swiftly and brutally stripped of their individuality by the Nazis?”

Another One Bites the Dust

A Clean Well-Lighted Place for Books: “We deeply regret to announce that we will be closing A Clean Well-Lighted Place for Books as soon as we can liquidate our inventory.”

[UPDATE: Frances Dinkelspiel has more and bemoans the many Bay Area bookstore closings this year. The Bay Area may be an underreported literary mecca, but the hard truth is that these literary interests aren’t always compatible with profit and there aren’t enough courageous people willing to sustain many of these pivotal conduits. The recent end of the Books by the Bay festival and the slimming down of the Chronicle‘s book review section are troublingly self-evident on this front.]

Visual Tumult and Banner Heckling Doesn’t Count

New York Times Corrections: “An article on Sunday about commencement speeches around the country referred imprecisely to audience reaction to a speech by Secretary of State Condoleezza Rice at Boston College. While some people turned their backs on her and a protest banner was unfurled during her appearance, the scene inside Alumni Stadium where she spoke did not turn tumultous, nor was she heckled while speaking.”

Excerpt from Alan Thicke’s “How to Starve Your Kids Without Them Knowing”

[EDITOR’S NOTE: It’s no secret that Alan Thicke is everywhere these days. Unable to get much in the way of acting work, save Alpha Dog and a few token appearances as “Captain ‘Buck’ Enteneille” on Son of the Beach, Mr. Thicke’s sage words to the American populace have been profoundly undercommunicated. Until now. Return of the Reluctant presents the first chapter of Mr. Thicke’s new book, How to Starve Your Kids Without Them Knowing, where a new and not so avuncular Thicke rails against the population cluster that secured his sitcom sinecure.]

CHAPTER ONE

If you’ve purchased this book from the store, you’ve got guts. And, frankly, you’re going to need a bit of courage to go through with my foolproof plan. It involves nothing less than the wholesale starvation of your children.

alan-thicke.jpgI am positive that you can go through with it.

First off, my credentials: I played Dr. Jason Seaver for seven years on the popular sitcom Growing Pains. During my tenure at ABC, I had the misfortune of working with the likes of Tracey Gold, Kirk Cameron and Leonardo DiCaprio — all of them insufferable little pricks who often tagged me as a surrogate dad. It is not an accident that these three actors all grew up to be troubled people: Tracey Gold became anorexic and was arrested for drunk driving. Kirk Cameron became an uptight Christian. And the less said about Leo, the better.

As I collected seven years of steady paychecks, whatever love I had for children disappeared with the Dohring twins the producers hired to play my baby — a last-minute casting decision when audience test polls revealed that my portrayal of Dr. Jason Seaver was not as convincing as it was in the show’s early years. This was because it becoming more difficult for me to play a caring dad with any authenticity. I loathed children then as much as I loathe them now. If you ask me, a baby is worth more on the butcher’s scale than he is in a crib, sucking financial resources with the same vigor he sucks on his momma’s teat.

For years, I have kept this secret from the public. But thankfully the cathartic act of writing permits me to tell you what is on my mind and to make a small bundle thanks to my celebrity status.

Let’s face the facts — kids are tedious and noisome little bastards who eat our expensive blocks of Gruyere and take it upon themselves to munch on our smoked salmon stash. If they were of drinking age, they’d no doubt be guzzling down our ten-year scotch. And if they were Alateen members, they’d drink it all down anyway.

America, do we really need this?

We sweat long and hard in our offices, racing home as fast as possible through rush hour traffic, only to pick up our kids from day care. And these kids then scream in our ears and demand that we feed them and spend time with them. Even if we park their butts in front of the television for a few hours, these kids still tug on our sleeves and knock on our doors just as we’re trying to copulate with our spouses.

The time has come to let these vermin starve. Why should we upper middle-class parents spend so much time and money on this scruffy population bloc? They’ll only grow up to be semiliterate thugs at best. Isn’t there an overpopulation problem anyway? Didn’t Al Gore just tell us that there wasn’t a lot we can do about global warming?

In this book, I propose that you take it upon yourselves to starve your children. Of course, the trick here is to starve your children without them knowing. But we shall come to that in Chapter 3 (“Hypnotic Techniques Which Create the Illusion of a Full Stomach”).

If you’re of a queasy mind set, then this book may not be for you. But I invite you to continue on to Chapter 2, where I shall explain in full all the reasons why children are best left starved and best left for dead.

Reading for Fun: An Unfulfilled Potential?

The Book Standard has uncovered the latest Kids and Family Reading Report conducted by Yankelovich and Scholastic. 92% of kids enjoy reading for fun. 90% of kids also say that they believe reading for fun is important. Unfortunately, there is a sharp drop-off in high frequency readers between the ages of 5-8 (40%) and 9-11 (29%). The study, taken from a sample of 500 kids, also notes that “the #1 reason why they do not read more is because they can not find books they like to read.”

Part of me wonders if there is some fundamental disconnect going on here that American society is remaining silent about. If the desire to read within kids is there, what is our education system doing to steer children off reading? Does the drop-off occur here because it’s not socially acceptable to read? Or because parents are demanding their kids to read instead of letting them discover books on their own? What underlying factor that shifts reading away from fun and more towards work? The study here suggests that 72% of high frequency readers associate the need to read with getting into a good college or nabbing a good job when they get older. Reading becomes viewed as “work” as early as the age of 5.

But if the chief problem here is that kids aren’t finding books they “like to read,” perhaps there is something within the current system that is not only preventing kids from “liking” literature, but prohibiting a sense of self-discovery. Thus, the “fun” becomes “work,” rather than something naturally embedded within young minds, and the great interest dissipates.

The Book Touring Answer to Hypergraphia?

Wired: “Author J.A. Konrath sold his first book to Hyperion as part of a three book deal for his Lt. Jacqueline ‘Jack’ Daniels thriller series. To promote the first book, Konrath’s publisher sent him out on an 11-bookstore tour. But by utilizing the GPS device in his rental car, he ended up visiting 106 bookstores on that tour. His ability to use the technology to find more places to promote his book impressed his publisher enough that this summer, Hyperion is sending Konrath out for a two-month, 500 bookstore tour.”

Why Boris Johnson Won’t Get Laid Any Time Soon

Boris Johnson suggests that the world can be described as one involving women who read and men who don’t. Actually, it can be divided as follows: people who think, people who don’t, and lower life forms who have just discovered that they can use their opposable thumbs for masturbation purposes and who are inexplicably hired by The Telegraph to write foolish articles. (via Bookslut)

A Starved Hollywood Decides to Pillage Film Classics

John Fusco, the screenwriter behind such immortal films as Young Guns, Young Guns II and Spirit: Stallion of the Cimarron has been hired to write a remake of The Seven Samurai. There is no doubt in my mind that the man who gave us such profound dialogue as “P.S. I changed my mind. Kiss my ass.” and “You’re ambitious, Earl, but you’d be better off selling lady’s undergarments in Hampstead” will apply his clear wit and perspicacity to improving upon* one of the great film classics. (Thanks, DT!)

* — Or perhaps we should replace those two words with the verb “reimagining,” a secret Hollywood buzz word that describes both devising a remake and creating an abomination.

The Bat Segundo Show #46

segundo46.jpg

Guests: Eric Reynolds, Mark Binelli, Matt Cheney, Jeremy Lassen, David Axe and George Scithers.

Condition of Mr. Segundo: Revealing himself to be a closet poet.

Subjects Discussed: Peanuts, Dennis the Menace, Popeye, Fascist Italy, eerie historical similarities, classic comedy teams, journalism vs. novel-writing, free lunches, on being frightened by Bat Segundo, zoot suits, how to crash parties, motivations behind 40 minute soliloquies, on being an embedded journalist, war fever, having a good time in Iraq, the origins of the second Weird Tales incarnation, H.P. Lovecraft, the current state of literary magazines, the influence of MFA workshops on speculative fiction, Strunk & White, on writing for money, and the benefits of writing groups.

Uwe Boll is a Disturbed Man

Ain’t It Cool News: “As a guest of Uwe Boll they will be given the chance to be an extra/stand-in in Postal and have the opportunity to put on boxing gloves and enter a BOXING RING to fight Uwe Boll. Each critic will have the opportunity to bring down Uwe in a 10-bout match.”

ALS0: Dinner with Uwe Boll. He couldn’t even get into film school, so he attended, in his words, “as a guest.” Part 2.

(via Defamer)

Roundtable Redux

For those who enjoyed the Black Swan Green roundtable with Megan and me, I’m pleased to report that there’s another roundtable discussion in the works for another very interesting author. This time, however, we’ve upped the ante and added three more to our roster. Here are the participants: Megan Sullivan, Scott Esposito, Gwenda Bond, Dan Wickett and me.

Expect more here in a few weeks, when I will reveal the name of the author and some of the discussion will begin.

Bringing New Meaning to “Working the Room”

Eric Splitznagel: “When I went on a nationwide bookstore tour last May (to promote my memoir, Fast Forward: Confessions of a Porn Screenwriter), it seemed that everybody with even a casual interest in adult films showed up for my readings. Some of them were crazy. Not just a little eccentric, mind you. Clinically insane. In San Francisco, a man handed me a business card with a picture of himself having sex with his girlfriend. (‘That’s me!’ He screamed, pointing at the photo.) In Chicago, a strange fellow asked if I’d ever written a porno about fruit before taking a banana out of his pants and eating it in front of me.”

Roundup

Twenty-One More Reasons Why Litbloggers Are Evil & Unethical

Now that John Freeman has exposed the terrible truth behind the Amazon Affiliates program, the time has come to reveal more allegations that have previously remained quiet rumors. Mr. Freeman, as you will soon learn, has only just scratched the surface. The litblogosphere is actually a disgraceful den of small-time crime, an online millieu where babies are eaten, adorable kittens are barbequed (cat photos indeed!) and tags are torn off mattresses.

It is with great trepidation that I expose the truth behind this criminal cabal. I know that my keystrokes are being logged right now by Mark Sarvas and that there will be violent repurcussions once the following information is released to the Internet. But I am not afraid, dear readers! While I know that my right leg will likely be chopped off by tomorrow morning by Scott Esposito, my sense of ethics compels me to report the truth and commit this altruistic act. I did, after all, inherit the self-immolation gene. Here then is a small sampling of what I can tell you at the present time.

1. While Ron Hogan might tell you otherwise, there is a real-life inspiration behind Beatrice. Beatrice is actually the name of a seventy-two year old woman who Mr. Hogan mugged on a summer afternoon in Central Park. September 5, 1994, to be exact. Not only did Mr. Hogan snatch the poor woman’s purse and spill out the contents in her presence, but he demanded that she tell him her first name, in order to, as the police report I have in my hands documents, “immortalize her on the Internet.”

2. Wendi Kaufman, the blogger behind The Happy Booker, is actually far from happy. She has been doped up for some time on what trusted medical authorities refer to as “happy pills.” She has neither won a Booker, nor authored a book. That these scandalous lies have been allowed to disseminate through many conduits is a tribute to the great spin that these litbloggers, who link each other with a gusto comparable to cocker spaniels copulating, place upon their self-worth. She has also claimed to have seventeen brothers — all of them named Ted. Can such an unethical prevaricator be trusted?

3. Maud Newton has repeatedly misled her reading public, trying to throw her readers off with posts which suggest that her site is not for sale. But it isn’t an accident that she was listed by mistake in the Crown publishing catalog. There is a pyramid scheme currently making the rounds around the nation. Ms. Newton, going by the nom de guerre of “Caitlin Flanagan,” is in charge. The hysterical writer spouting forth Eisenhower-era sentiments is a mere McGuffin! Sadly, one of the people at Crown was taken in by the scam and took vengeance upon Ms. Newton by listing her website in the catalog. But this hasn’t stopped Ms. Newton from offering stern denials.

4. Dan Wickett’s notion of an emerging writer has less to do with literature and more to do with the way a particular male organ emerges from a pair of boxers. For many years, Mr. Wickett has been making a little pocket money (pardon the pun) by disseminating certain photographs of midlist writers. This explains his considerable ebullience and his replies to email at odd hours. Upon receipt of a starving writer’s genital dauggerotype (yes, he insists upon dauggerotypes), a small cash payment is then sent to a Mailboxes, Etc. outlet in Michigan and Mr. Wickett then writes a little something about each writer in question on his blog. This is a carefully concealed form of buzz marketing that has shocked the litblogosphere.

5. It is an undisputed fact that Sarah Weinman is a known cannibal, but what you may not know is that she is a CSIS agent, working in tandem with an American shadow government, replacing all literary fiction currently stocked in U.S. bookstores and libraries with mysteries. By 2012, Weinman’s diabolical plan, currently styled Operation Agatha, will be complete. Anyone asking for a Philip Roth novel will be placed on a list of agitators. (I was unable to obtain this list through the Freedom of Information Act, so I am now operating from anonymous sources.) Dissenters who insist on reading literary fiction will be thrown into concentration camps and will be “corrected” by being exposed to Ian Rankin’s Rebus series in full.

6. Levi Asher, the man behind the so-called “Overrated Writers Project,” has been lying through his teeth the entire time. Aside from the fact that Mr. Asher owns a copy of every Vollmann limited edition CoTangent book, Mr. Asher once stalked Jonathan Lethem, eventually knocking on his door and asking Mr. Lethem if he could perform housework gratis. Mr. Lethem, being very uncomfortable with this request from a stranger, politely declined and gave him a twenty dollar bill for the cabfare home. Mr. Asher, having a hubris the size of Wisconsin, ripped up Mr. Lethem’s twenty dollar bill, turned on his heel and left. This happened six months ago. And it has only been careful planning that has caused Mr. Asher to let down the axe so recently.

7. You might think that Jeff Bryant’s tagline “One person’s crap is another person’s blog…” was simply some litblogger goofing off. But you’d be wrong. Because Mr. Bryant actually profits off of scatological deposits he finds on the street. Selling these on eBay, Mr. Bryant has amassed a small fortune that he fails to report on his 1040s. So don’t buy Mr. Bryant’s “I’m a new father” routine. The kid is clearly disguising an unreported cash bonanza.

Other Troubling Ethical Dilemmas:

8. Megan Sullivan is reportedly sitting on a suitcase of cash that she received by mistake and has sent Los Angeles Times Book Review editor David Ulin a number of random bills to ensure that all of Rupert Thomson’s books get future coverage.

9. Robert Birnbaum has resigned in protest from the mob because he doesn’t approve of Condoleeza Rice speaking in front of the five families.

10. Miss Snark is not a literary agent, and is merely a person fond of printing out emails and taping them to the walls of her home.

11. Jessa Crispin buys non-organic produce from time to time.

12. Bud Parr actually spends most of his time playing golf and has not finished a single book in 2006.

13. Lizzie Skurnick sleeps with the fishes. The person who claims to post as “The Old Hag” is actually a complicated algorithm designed by some guy named Dimitri that the litbloggers added to their payroll.

14. Kevin Holtsberry is a closet liberal and pretends to be conservative in order to confuse the mainstream media (and John Freeman, in particular).

15. Sam Jones uses a psuedonym only because he is a witness relocation program.

16. Every time Jenny Davidson uses an exclamation mark, a publisher has sent one of the litbloggers a check. Her blog, Light Reading, is written in a secret code so that the appropriate accountants can cook the books.

17. It was Gwenda Bond who sent Dave Itzkoff the fruit basket. Itzkoff is clearly more corruptible than Sam Tanenhaus, but the litbloggers are working on the big cheese. The staged BEA confrontation between Sam Tanenhaus and Edward Champion was designed to suggest enmity, when in fact Mr. Tanenhaus is Mr. Champion’s love slave.

18. C. Max Magee. Millions. Enough said.

19. The Rake’s Progress refers to the progressive slot poker machines the litbloggers have installed in Nevada.

20. Scott McKenzie handles the slush money.

21. The secret code word is “tangerine muumuu.”

To Porn or Not to Porn, That is the Question

A pal of mine attends a sex writers reading and a burlesque show, lives to tell the tale and invents an impromptu game on the spot: “I started playing a game with myself during the opening of the burlesque show, where I’d ask in my best inner announcer voice, if what was going on on the stage was Porn or anti-Porn. If you find it exciting (oops, almost wrote ‘arousing’ but my inner prude balked at that word) the answer is ‘porn’ and if its not, its ‘anti-porn.'”

Roundup

  • Lest you believe that Texas (outside of Austin) is a bad place, I should note that this year is Conan’s 100th birthday and the folks in Cross Plains, Texas do know how to celebrate a native son. (via Slushpile)
  • It seems that US Senators have plenty of time to write books, but it can’t be an accident that most of the writers are Democrats. Call me a man of civic responsibility, but shouldn’t the Demos be putting all their energies into fighting the Republicans and gearing up for the midterm elections?
  • Colm Toibin’s The Master has won the IMPAC Dublin Literary Award. Strangely enough, Toibin is the first Irish novelist to win the award since its 1996 inception. He is also the first novelist named “Colm” to win any award whatsoever. The IMPAC people are now scouring the Irish countryside looking for more writers named “Colm,” hoping that they can be enlisted to keep IMPAC money in Ireland’s good hands.
  • This isn’t book-related, but since I’ve been listening to a lot of the Stranglers lately (perhaps, along with The Damned, the most underrated UK punk band to come out of the 1970s), I should note that Hugh Cornwell, the man who penned such unforgettable lyrics as “Whatever happened to Leon Trotsky? / He got an icepick that made his ears burn,” has a new solo album and gets the profile treatment from the Sydney Morning Herald.
  • RIP Ingo Preminger.
  • Billy Bragg is pissed at MySpace. (via Ron Silliman)
  • Mr. T Experience frontman Frank Portman has a book out. (via Largehearted Boy)
  • James Wolcot on The Complete New Yorker.
  • Stephen Joyce is an asshole.
  • An interview with The National’s Matt Berninger.

The Case for Human Aestheticism

Dan Green riffing from David Ulin’s review of Faulkner’s early novels: “That some modernists/postmodernists are preoccupied with aesthetic questions is true enough, but why are these kinds of questions not considered properly ‘human’? Isn’t the ability to formulate the concept of the aesthetic one of our defining features as a species? Presumably Ulin wants Faulkner’s books to be sources of wisdom, while I want them to be sources of aesthetic delight. But I can see no reason why the former rather than the latter should be the deciding factor in judging a writer’s work sufficiently ‘profound’ to be art.”

The Next NBCC Hot Issue: Litbloggers, Boxers or Briefs?

Since I cannot login to the Critical Mass blog without signing up for a Blogger account, here is my response to Mr. Freeman’s flummery:

Mr. Freeman’s objection here is laughably tautological — a transparent attempt to tarnish a medium that he views, rather strangely, as a competitive threat while clinging to a red herring that, in an age when Target bankrolls an entire issue of The New Yorker (in which Critical Mass contributors Celia McGee and Laura Miller, both curiously silent, have appeared), is more Tinkertoy than tinker’s damn on closer examination.

If we are to quibble with picayune forms of income, one might argue that any freelancer employed to review a book for a newspaper also “gets a cut” for the book that she is reviewing — in large part because book review sections frequently run advertisements for the books being reviewed or have the regrettable interference of editors who decide, whether independently or after meetings with the lucre-minded top brass, what is saleable to their readers. Are not these advertisements, which sustain the publication and pay the salaries of the people who author the review, as “unethical” as the meager pennies that flow from the Amazon links? Is not the New York Times‘ recent failure to include a full-length Gilbert Sorrentino obituary “unethical” because the publication will not recognize subjects that certain Sunday morning upper-class basket weavers and golf players (they being the ones who hand over the cash) find comforting and nonconfrontational?

The rule here seems to apply only to the upstarts rather than these hoary hotheads, who lap up scraps like birdbrained predators incapable of observing the dying ecology around them.

Other than the notion here that litbloggers are cutting out the middlemen, I really don’t see what the difference is here. There may not be a traditional separation between sales and editorial. But this doesn’t mean that, with a great deal of alacrity, an enterprising litblogger might find a way to make a new model work while maintaining a certain autonomy which ensures ethical journalism. (I actually agree somewhat with Mr. Freeman about Amazon links embedded within content, but I also note Mr. Orthofer’s remarks on Amazon as an information source.)

Further, the term “buzz marketing” implies that litbloggers are employed to write uncritical and raving puff pieces about books. But this simply isn’t the case at all. Unless Mr. Freeman can point to a specific example of a litblogger taking money from a publisher and writing sullied euphoria along these lines, his assertion here is groundless. But I suspect that a man who mistakes mirth for marketing is a man who has supped too much on gruel.

[UPDATE: More from Bud Parr, Ron Hogan, Sarah Weinman and Scott McKenzie. And, of course, don’t miss Scott and Max’s salvos in the original thread.]

Presbycusis or Presbyterian?

Can you hear it? “The principle behind it is a biological reality that hearing experts refer to as presbycusis, or aging ear. While Miss Musorofiti is not likely to have it, most adults over 40 or 50 seem to have some symptoms, scientists say. While most human communication takes place in a frequency range between 200 and 8,000 hertz (a hertz being the scientific unit of frequency equal to one cycle per second), most adults’ ability to hear frequencies higher than that begins to deteriorate in early middle age.” (via Metafilter)

There is an MP3 attached to the article. I can hear the tone but it’s playing at a constant low volume.

Ignore the Blonde Woman

To riff off of Ron’s points, there is a certain blonde woman prone to making outrageous and spiteful statements. (I will confess that, this weekend, while encountering a prodigious display of the blonde woman’s books in a bookstore, I did turn each and every book around, so that the back cover faced out instead of the front. This was, of course, one of those small civic duties to ensure that innocent customers weren’t unsettled by that hatemonger’s face while sauntering through the bookstore, but instead bore witness to the ass end of the book, which I thought quite appropriate.)

But I will no longer mention her name here. I will no longer pay her any credence whatsoever. Let her howl like Cerberus to the winds of Hades. Let her publishers dump all manner of money into her books. But her spiteful brand of demagogery means nothing to me. Nor should it mean anything to you. Nor should you heed the easy impulses burgeoning within your solar plexus to remark, posthaste, at her latest enmity.

Because, to employ the dog metaphor further, I know the bitch’s days are numbered. I don’t know when. And I don’t know how. But I know that it will happen.

There comes a time in any hatemonger’s career when the lack of substance embedded within his vitriol eventually comes to bite him in the ass. We saw this most recently with Ralph Reed. We saw this a few years ago with Trent Lott. And we shall see this again with the blonde woman. There will come a time in which the sum total of her abuses will be tallied up so that no rational human being, not even the most reactionary, will give her credence.

And on that day, I will stop ignoring her and cite her by name to remind the world exactly how her hateful and nonconstructive thinking was her downfall.

Dave Itzkoff: Well, Crash Courses Are Better Than Glossing Over White Males

It took a little more than three months for Dave Itzkoff to write his second science fiction column (or perhaps the more accurate answer here is that it took that long for Sam Tanenhaus to figure out that the field was a little more substantial than geeks writing stories). This column is slightly better, if only for its mention of the underrated writer Ellen Klages, whose work is often published in the underrated The Magazine of Fantasy and Science Fiction (where I first encountered her). But I must inform Mr. Itzkoff of the following realities:

1. Sorry, Dave, but Christopher Rowe is already taken. The marriage, as I understand it, is a healthy one. But what a way to suck up! You even quoted Matt Cheney! So hipster points and a crash course bonus for you! Now if only we can get you lusting after someone who isn’t attached or, better yet, convince you to engage in a dialogue with those who do know something about the subject but who don’t need to flaunt their knowledge like a smug Department of Defense official in the Johnson administration who thinks he knows more about Vietnam than those who are actually there. Who knows, Davie boy? Your column might be worth something more than a man declaring how much he cares about the reactions.

2. Dave, baby, you’re going to have to think outside the pop cultural box. These “intimations of juvenilia” that you think speculative fiction is all about are among the major reasons why we criticized you in the first place. Not only has the genre moved well beyond “juvenilia,” but a “cookie monster” isn’t always what it seems.

3. “Rosenbaum’s imagery will surely embed itself in the invisible architecture of your own memory banks for days after you’ve read it. But when you approach it for the first time, just try to forget that you’ve already been told how it ends.” So this is how Tanenhaus wants you to cover speculative fiction, Dave? Look, I’m nowhere nearly as schooled as my peers, but even I know something about the subject and wouldn’t dare to propose the silly and dismissive phrase “invisible architecture of your own memory banks.” Why, I’d be remiss and downright philistine if I actually declared myself a cultural arbiter on such flimsy pretext. So you read a Nebula anthology and you’re an expert now? Well golly! I mean, can I pin a boutinaire to your lapel, declare myself as your godfather, and send you a gift certificate to Tony Roma’s? There’s some good eatings there, I do declare!

4. Lastly, what can we do to get you and Ron Hogan to kiss and make up? Or does this “I write for the NYTBR now” schtick mean that you won’t talk with the plebs?